Joe,
We’ve just started to integrate STP into our workflow. Not so much as a final mixing tool, but as a “repair and restore” tool. In the classic “lock picture, then mix” mode, you had to wait until the mix to access the “powerful tools” that an audio suite had to offer. In the kinds of shows that we do (reality TV), audio is often the most challenging part of the process. Our bad audio is not because we have bad field mixers (we don’t) but because they have to work in less than optimal conditions (try recording usable dialogue in the middle of a dance floor). So… many of our scenes end up carrying “subtitles” to remain understandable. This meant that producers, networks, etc. had to respond to a scene with subtitles that eventually would go away (hopefully) after the final mix. Enter Sound Track Pro.
With STP’s ability to “round trip”, our picture editors can often “fix” a scene with just a couple of clicks (seriously!), and then that “cleaned” audio now lives with the scene. No need to worry about later changes or different versions. The “fix” is now part of the cut. This is WAY DIFFERENT than how we’ve been used to working. Add to this equation the “shared storage” workflow of X-SAN and now we’re thinking about a whole new approach to the off-line process.
We’re only scratching the surface of the potential of STP in our workflow. I look forward to experimenting and finding new ways for Sound Track Pro to help us get the job done better.
Mark