[Mark David spencer]

I think they’re referring to clearing the master clips and not just disabling them. I haven’t found a way to batch clear effects. But if you don’t have a lot of clips in your timeline you can double click the clip and with the master clip panel selected go to the Lumetri panel and using the dropdown box select clear. This will remove it completely from the clip.

Oh Hi Mark

[Mark David spencer]

Awesome. I tried to precompose before but When I built it from scratch it worked. Thanks!

I have a dream…that all media production is 5% technical/95% creativity and not the other way around.

[Mark David spencer]

It’s under Effects>Video Filters>Color Correction

I’m not sure if it’s new cause I just learned a reason to use it. But it’s definitely sweet.

I have a dream…that all media production is 5% technical/95% creativity and not the other way around.

[Mark David spencer]

That sounds awesome, I’d love to see that too.

I would also like to see the range check meter be more accurate before you render, because sometimes an effect falls in broadcast safe zone before render but not after.

I have, however (I think), found a much better and quick way to make a broadcast safe clip than using the broadcast safe filter.

By using the RGB limit filter and setting the clap to nothing below 0% and nothing above 99% it seems to make the chroma and luma legal every time.

It accomplishes the same thing as the broadcast safe filter, but with much less pixelation around hot areas that were clamped.

If anyone has any feedback for this method please let me know.

Thanks,
Mark

I have a dream…that all media production is 5% technical/95% creativity and not the other way around.

[Mark David spencer]

Thanks Arnie, I’ll give that a shot when I get back to the ol’ dungeon.

M.

I have a dream…that all media production is 5% technical/95% creativity and not the other way around.

[Mark David spencer]

Yes, but that brings down the entire white levels. For example, if I want to bring 109% white down to 100% I can’t do it without bringing the white that’s at 99% down to 90%.

I’m familiar with 3 way CC, but I wanted to see if there was an option that didn’t compromise overall luminance.

Thanks for your reply

[Mark David spencer]

thanks for the quick reply! Do you have any idea of what might be a good one to look into?

[Mark David spencer]

I installed 5.1.3 on my intel mac pro and now the project file I was working on won’t open. Every time I open it up it crashes while preparing the video for display.

[Mark David spencer]

I guess I don’t know what bitrate I need to set it at to get the results I need with the ridiculous level of motion in the program. I have about an hour and fifteen minutes of total material (including extras) and I have tried a CBR at 7.5 but I still seem to find artifacts in it…

I have a dream…that all media production is 5% technical/95% creativity and not the other way around.