Marc Wielage
Forum Replies Created
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[Joseph Owens] “I am also not at all sure that numeric keypads are even possible to be mapped to the USB interface. Although -2{preview] is a command that I dearly miss, yes you are spot on with that. Although I am getting used to [middle-click].”
From the v10 manual, page 647:
> To copy a grade from one clip back: Press comma (,)
> To copy a grade from two clips back: Press colon (:)You can’t do a -4 preview yet, nor can you scroll through the corrections the way you can on the control surface (not that I’ve seen, at least).
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Marc Wielage
February 15, 2014 at 5:04 am in reply to: how to manually enter timecode using Resolve Panels!hours:minutes:seconds:frame enter.
That should do it. If you just enter one number on the numeric keypad — say, 36 — it’ll jump to shot 36 in the current timeline.
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Marc Wielage
February 13, 2014 at 5:04 am in reply to: Exporting FCPXML only use some of my grades AND crashing on opening projectI would upgrade to 10.1 and see if that solves the problem. Make a backup of your system first, just in case.
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Marc Wielage
February 7, 2014 at 2:28 am in reply to: An official statement regarding keyboard shortcuts ? -
Note that Alexis is also the primary author of the daVinci Resolve user manual.
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A workaround: use a utility like Better Finder Renamer (for Mac OS) or Better File Renamer (for Windows) to rename hundreds of files at one time:
https://publicspace.net/ABetterFinderRename/
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Marc Wielage
February 3, 2014 at 3:26 am in reply to: Preset or LUT that will get as close as possible to “Rush”The look of Rush comes from the skill of the DP, great lighting, great lenses, and a ton of post work. There was no single technique behind it.
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No, no way to ripple a change like this. Just go in and adjust the softness a little bit at a time. Even if you have 20 or 30 instances, it only takes a few seconds per shot.
I know a lot of colorists that organize this stuff fairly rigidly so that windows come up at a specific node point most of the time, so they know very quickly what to grab and how to grab it. If it’s randomly spread out throughout the node tree, it takes too long to find it. For this reason, it’s a good idea to get the window right when you do it so that you don’t need to tweak it later. (Practice makes perfect.)
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I believe you have to do this one at a time. You could grab a still of the final frame with the blurred window (if they’re all identical), display the node tree, and then drag just that one node into the correction.
As far as I know, there’s no way to ripple a change like this unless each shot had the same number of node trees and you were making a similar correction. I think it’d be much more precise and predictable to do it all by hand.