Forum Replies Created

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  • Marcello Mazzilli

    November 18, 2009 at 12:05 pm in reply to: Importing STL subtitles in Encore

    I am doing some other tests and the issue seems to be the italian characters

    à è é ò ù

    All the subtitle format converters just copy the character and don’t (should they?) convert them to an ANSI equivalent.

    So.. How can I force Encore to adopt the italian character set?

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • Marcello Mazzilli

    November 17, 2009 at 11:21 pm in reply to: Old HM700 upgraded to new HM700

    No.. it was done here in Italy.
    I posted this just to tell all you out there.. that.. it is possible.
    He phoned his “friend” in JVC and got some beta-never-to-be-published version and worked with it. He said that after installing it he had to reconfigure the whole camera. This because.. he explained… these camera are almost all programmable and by software you “could change the camera to be a radio transmitter!”. So by installing the high-level firmware he had to adjust the “low-level firmware” (thai is almost the kernel of the machine).
    At least.. this is how he explained it to me and how I understood it.
    Anyway.. now my camera is a “new JVC HM700” and I can install regular and future updates.

    Sorry if i cannot be more precise but I’m not a software programmer.. just a video maker.

    Anyway.. this is the guy that did it. Maybe you can get your usual assistance service to contact him.

    Good luck.

    R.e.i. Engineering Srl
    Via Dello Scalo Di Settebagni 37
    00138 Roma (RM)

    Audiovisivi Apparecchi Impianti Produzione Commercio Noleggio
    Tel: 0039 068887633 – 0039 068887112

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • Marcello Mazzilli

    November 17, 2009 at 5:49 pm in reply to: the 700 and 24p

    Can somebody tell me if there is a difference in motion with 1/3 cameras in progressive mode compared to bigger CCD cameras? I mean… does the size of the ccd count when speaking about jitter on progressive footage?

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • Marcello Mazzilli

    November 17, 2009 at 5:46 pm in reply to: Editing MXF video files with Premiere Pro

    Cineform would be a great company.. but should lower the costs quite considerably… You cnnot spend more than 50-80 $ for a codec! Consider that Pro-Res in free on Mac

    Editing MXF in Premiere (MAC) causes some problems to me. Single files play very well.. no jitter.. fast speed etc… But if you have a long (5 minutes) timeline software sucks.. ooops.. stucks

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • Marcello Mazzilli

    November 10, 2009 at 10:04 pm in reply to: MXF Files…UGH

    To convert (just re-wrap) MOV files into MXF.. try File Converter 1.3 here
    https://www.convergent-design.com/Updates_nanoFlash.htm

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • Marcello Mazzilli

    November 10, 2009 at 9:59 pm in reply to: Adobe Premiere Pro CS4 4.2 is available

    Thanks. Already downloaded and installed.
    Don’t really see any improvement in performances.
    Still.. nice surprise

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • Marcello Mazzilli

    November 7, 2009 at 11:01 pm in reply to: Another Copyright/Permission question

    What if the clients says the video is for “internal” use? Is the videomaker still responsible for the use of music?

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • Marcello Mazzilli

    October 31, 2009 at 11:05 pm in reply to: HD question

    Few considerationss…

    I come from PAL world (H=576) and not from NTSC world (H=480) and I think there are differences in converting down from H=108 (pal is 1,875:1 ratio NTSC is 2,25:2)

    In the article there are at least TWO things I think are wrong.

    1st he suggests MPEG2-I while you should use non-compressed codecs (or less compressed like Cineform on PC and Pro-Res on MAC)

    2nd. Hollywood DVDs are double layer. That is 8.5 Gbytes and very rarely they use all bandwidth available. Sure they have dedicated softwares.. but bandwidth is not the main reason.

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • I think he needs to do some batch before to all the clips.

    As I said you if you happen to use Cineform you can use FIRSTLIGHT that will flip all the clips instantly without re-rendering.

    If you don’t use Cineform you have to re-render. You can use MPEG STREAMCLIP (both on MAC and PC) to re-render all the clips in batch. Remember that re-rendering affects quality so you should use some quality codec like Cineform on PC or Pro-Res on MAC

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

  • FIRSTLIGHT from Cineform does it.. but you need to be working with footage in one of Cineform’s formats

    siRoma di Marcello Mazzilli
    Corporate video productions in Italy
    http://www.siroma.com

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