[László Kovács]

Did you try to right click a keyframe and set it to “smooth”?

[László Kovács]

Hi,

I would create a text event, and make it move via animated pan/crop or placement (text property).
Then just copy/paste that event, and change the text to the next chord. If you need more chords on the screen you can have them on more tracks.

But, what if you create those marks of the chords (on the left of the original video)?
You could draw them as graphic, and show only one at a time, which is being played.
Wouldn’t that look better?
(I’m not a guitarist… :))
Regards

[László Kovács]

For those, who may be here from Europe, one4av.com may worth a look…
They are located in Austria, but ship to anywhere I guess.
I bought my camera there, shipped within a week.

[László Kovács]

Hi,
I always do everything in one project,.and render output only at the finish.
I usually have dozens of versions of the veg file. Every day start a new file, and sometimes even in that day too: so I can go back to a previous version if something goes wrong, but I can’t remeber I ever needed them.
They are for “just in case”.

I rarely render an intermediate, but when I do it, it will be in lagarith and 48kHz pcm audio (losless).
This is huge, but I have plenty of Hdd, and I don’t keep these intermediates for a long time.

I always start a project as 1920*1080, and switch to lower res later, when needed. That means, if I need mpeg2 for dvd, I change the project properties to 720*576 (I’m in a PAL country) and do the render.

I have different approaches for simple projects, multicam edits, and long -over 90 minutes, typically wedding movies.
The difference is in how I organize and preselect the source material, how heavyly I use media bins. For simple projects I use only timeline -these are finushed in a day or 2.
For complex long project I organize my sources into mediabins first, but how I do it depends highly on the content and the task.

Kind regards

[László Kovács]

Hi,

Maybe you want to apply the “glow” effect to the text?

Regards

[László Kovács]

You’re welcome. I’m glad I could help 🙂

[László Kovács]

Hi,

Try to press “/” on the numeric keypad, while the playhead is on the cut.
That makes it a crossfade with the default length.

Regards

[László Kovács]

Here’s a picture, what I mean (tried to magnify timeline) :

[László Kovács]

Hi,

select the event, and from the menu “insert” choose video envelopes, and “event velocity.
You can add then points to that line by double clicking. You can drag these points, or right click, and set to…
It’s quite intuitive from this point 😉

Unfortunately, audio will be out of sync if you do this way.
If you need audio in sync after motion slowed down:
Split your event at the point, where you know you need th 50% speed, and set the playback rate to 50% for the right event (after split).
Apply the velocity envelope to the original (left to the split) event.
Add the points to he envelope, and set the last one to 50%.
Now you see, that because of the slowdown, the ending timecode of the left event is not consistent with the starting time code of your right event. You can drag the right side of the left event (with the envelope), so that the ending timecode should be the starting of your right event – 1 frame.
You can do a split edit, so that the audio of your right clip crossfades with the original.
If you do this way, the audio of the slow-mo will be in sync, and there will be no jump in the picture when your right clip starts.
In case you modify the velocity envelope, you have to retweak the ending point…

Hope I could help

Regards

[László Kovács]

Hi,

I didn’t need this myself, so not so sure…
Maybe “randomize events” of Vegasaur is what you are looking for?

Regards