Forum Replies Created
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Did you ever figure out how to handle these files? I’m dealing with the same issue.
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While I’m here, do you know of any way to zoom into the viewer in the Event browser, to look at the waveform more closely?
Poking around a 2hr video to find markers isn’t very efficient…
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Kristel Ottis
March 8, 2014 at 11:32 pm in reply to: Any ATEM-compatible 24p full HD cameras with 10bit HDSDI out?Neato! Will have to check that one out. Thanks.
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Sorry for not being more clear and thanks so much for trying to help. 🙂
I have a feeling it might just be one of “those” FCPX quirks though…
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I know how to create multicam clips. How do I sync a bunch of footage using TC and then sync the sound using markers though?
The only time I seem to get a choice between sync types is when I create a multicam clip. Once that’s been created, I don’t see an obvious way of syncing it with more footage using markers (other than bringing it to the Timeline and doing it manually, using snapping).
Unfortunately, the timeline option doesn’t work for me, because my next step is creating keywords that need to result in timecodes in the browser (for xml export). For some reason, you can only see keyword TCs in the browser if you mark in+out points in the browser viewer.
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Thank you for the suggestion.
I’m currently trying to wrap my head around what exactly is happening when I sync the multicam clip to one of the audio tracks — I’m not seeing any options as far as angle synchronization goes. (You’d think you’d be able to choose between marker, TC, waveform, etc.?)
Sadly the audio doesn’t match any of the angles.
The joys of switching to FCPX…
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Should have clarified: my goal is to end up with a multicam clip that contains all 10 camera angles and 3 wavs/aiffs.
Unfortunately it doesn’t look like it’s possible to do a synchronization pass before making a new multicam clip…
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Because I’m syncing the 10+ camera angles with audio tracks that won’t have the same timecode.
Could I do the syncing in two passes? First the audio tracks + one camera angle using markers, then the rest of the camera angles based on the first angle’s TC.
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That’s what I did until now, but it didn’t seem like the smartest option to have to type in the timecode manually each time (especially since I have to paste the marker to 10+ angles every time, for syncing).
Is there really no way to copy+paste timecodes in FCPX?
Thanks for the reply!
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Thank you!
I don’t think we are quite ready to make the full transition to FCPX yet, but I’ll definitely give PluralEyes another whirl.
Spoke with one of the Red Giant reps today who said that they rebuilt the app from the ground up since the last time we tried it – so I’m certain there will be some improvement when it comes to processing.
Will report back with results.