Ken Mitchell
Forum Replies Created
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You can us the the slice (S key),cut up the clip into small sections, then cut in at the front end of the clips and fade out at the tails….
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Actually to use the Mercury Playback Engine in Premiere CS5.5 you can toggle between CPU and GPU . But if you have a high end Intel CPU you will need at least a GTX550 to improve upon the CPU performance.
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Your card seems to be underpowered…. My 2600K with 8 gig of ram will trancode Sony AVC for bluray about 10% slower than the GTX560TI I installed with 384 cuda cores and 1 gig of DDR5 ram. I suggest you might check out this link… read the whole thing…It will give you some insite on cuda tech and specific cards.(Not just for CS5.5). KEn
https://www.studio1productions.com/Articles/PremiereCS5.htm
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What CPU are you using? If you are using an i7/Sandybridge it will take at least a GTX 560TI to transcode faster than a Sandybridge.. Does your video card have at least gig of DDR5 ram?.. That would be another plus..
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This one if free but only has presets.mp4. ok job but it’s free
https://www.h264encoder.com -
I had the hardrive usb3 disconnect problem with my revised asus P8P67 premium motherboard..Turns out that even though the motherboard was revised and only a month old asus had updates the USB 3 driver again. Got the latest and it stopped the problem…except for 1 Thermaltake usb 3 device. All the other usb 3 devices work fine. Probably best to go to your motherboard site to get the latest USB 3 driver.I was going to purchase an intensity shuttle and/or an Ultrastudio SDI soon so I
hope all the bugs are out. -
Had the same problem with Final cut.. Just check to make sure you have all the updates.
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They usually require (these are suggestions,all stations can
be different. That is why clients use services to distribute”
Standard Def 720×486 / interlaced / bottom field first.
1.Uncompressed with uncompressed audio 48 .mov or .avi
2.H264.mov interlaced/ bottom field first /8000k / aac audio 48
“watch out for raised gamma level”
3.mpeg2 720×486 422 10000k audio at 48.
720×480 not acceptable.HD is either 1080i 59.94 for some stations or 720 60 for other
stations. Usually ProRes HQ.mov files or MPEG 2 at 35000 k audio at 48.
Some accept avid hddnx codec too. Can be station specific. -
Just remember that if you are creating an H264 in quicktime pro to compare the gamma levels of the original to the gamma levels of the H264 of the file you created.. Quicktime .mov does have some issues in raising the gamma of the H264 .mov files..
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Almost all services such as Extreme Reach and DG systems,which supply files to all stations nationally require ntsc interlaced,720p60 and 1080i 59.94 interlaced… If you supply spots outside of that realm they will be inferior and probably rejected due to the fact that they well be reprocessed after you submit them. They will be expecting those specs and if they differ then when they process them you will loose resolution due to unnecessary deinterlacing/interlacing..