[Justin L.]

Wait, won’t disabling it make it smoother? Why can’t they just remove it. What’s the purpose of resampling? Why did they put it there if people would just disable it?

[Justin L.]

THANKS GUYS FOR THE HELP!

One more quick question though. You know that recorder boom operators carry with them all the time? Do they act like as the sound mixers? ‘Cause don’t they have to watch the levels to make sure the sound is not distorted?
‘Cause I have the Zoom H2 with the Rode Mic. And I’m wondering if I should get someone to hold the Zoom recorder to watch the levels and stuff while someone booming the mic. Or should I just give the recorder to the boom operator through a bag or something and let him handle all the work.

Any suggestions??

[Justin L.]

$599 for the T2i?! Do you have the link?

[Justin L.]

[Brian Reynolds] “What sort of mic are you using?
How far would you normally position the microphone away from the talents mouth?
What are you using for a boom pole?”

Well, I have the Rode Mono Videomic. I would normally position the mic as close to the talent as possible without being in the frame. And I would normally tell them to point it at the HEART.
And I just use a DIY Boompole (painter’s pole= very effective).

[Justin L.]

Thank you guys for all the comments and thoughts about this. I guess I’ll be sticking with Vegas due to its speed, it’s going to be time saving. And trying different NLE is also a good idea. Maybe I’ll do that in the future! =))

[Justin L.]

I just saw that they will announce a new camera called the Canon T3i, with also, a swivel screen.

[Justin L.]

Oh! And I actually saw the Zoom H1 and I can plug my Videomic in there plus headphones. But anyone know if I can manually control the gain?

[Justin L.]

Yes it does!

[Justin L.]

Really? Do you really think that the 60d is better than the 7d since they’re both in the same price range?

[Justin L.]

Do you know where I can just print off those White Balance cards?