Forum Replies Created

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  • Jon Barrie

    October 18, 2009 at 6:01 am in reply to: frame size

    Are you in Cs3 or CS4?

    CS3… start a new project with the correct Seq settings and import the old project, whallah.

    check this tutorial link.

    https://www.youtube.com/watch?v=Ffv4wBsG34Y

    CS4… make a new seq with the correct seq and copy and paste the entire edit from the original to the correct seq, let us know if this is not the solution.

    – Jon Barrie

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Hi Tash,

    Provided your black backgrounds truly are black this can be done in Premiere.

    Using the “Crop” effect you can reveal the smallest amount of needed space, the part of the video you want to keep. This allows you to crop all the shots enough so they can move over each other to create the illusion that there are multiple people on screen at the same time.

    To animate them looking like they are hovering will take some time and animated keyframes on the position property. (Look up keyframes and animation for more detailed help).

    Finally, I’d create a Back ground for the clips to sit over (BG clip is on Track 1 all other clips go above that and each one that is stacked on top to have multiple clips interacting at the same time will “stack” on top of each other. So if you have 3 people clips that you want to appear on screen at the same time will require 4 tracks stacked on top of each other with the BG layer being on Track 1.

    There are two ways to do this. As Video will always create some kind of ‘grain’ in blacks a flat black colour might not “sell”. The first thing you could do is to crush the blacks using the three-way color corrector. Change the “tonal range” to ‘Master’ and then under that move the black triangle on the “input levels” over the right until the blacks look true black. Do this to all the clips, they might all need a slightly different amount of black input.

    Last thing to do is make a New Black Video. File>New>Black Video…
    When the pop up for the frame size and frame rate appears make sure they match the properties of your project (check that by selecting the sequence Icon in the project panel then right click and select the properties… Check the frame size would be some number x number DV PAL is 720×576, then check the frame rate PAL is 25fps. If the values here are the same when you make a new black video click OK.
    Add this to layer 1 and all the other clips above each other starting from layer 2. The Black BG might not needed, but it’s there for safety.
    Good Luck,
    – JB

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Hi Philip,

    Cineform is not proxy workflow – it’s another format that maintains quality. So you wouldn’t use it as a proxy workflow you would edit the files and use them as the online too.

    – Jon Barrie

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Jon Barrie

    October 17, 2009 at 2:37 am in reply to: SD card Editing

    check https://www.cineform.com
    They have software that can convert the AVCHD format into an AVI wrapper that Pr will eat up. 😉

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Vince! you get paid in donuts!?!

    You get paid!

    hahahaha. I’ve seen your comments up here so often for so long I already thought you were a cow leader – congrats.

    I’ve not been posting so much lately as I’ve been flat out working and at home (new bub). Keep up the great posts.

    – Jon Barrie 🙂

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Jon Barrie

    October 17, 2009 at 2:18 am in reply to: dvcpro firewire to adobe premiere newbie

    DV or miniDV is the same signal, just recorded to a different size tape = different recording lengths. A Full size DV tape can record 4 hours because there is the space for the length of tape. A mini DV is a smaller tape and only holds enough tape to record 62 mins.

    Sampling is 4:1:1 in DVCPro. DV,DVCAM and HDV is 4:2:0. Beta is 4:2:2 SP or Digi. DVCPRO50 is SD res at 4:2:2 and DVCPRO100 is HD res (1280×1080) at 4:2:2.

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Jon Barrie

    October 15, 2009 at 1:28 am in reply to: Export HDV

    FCP is just Quicktime on steroids. MPEGs won’t work in FCP you have got to convert all the MPEG files into Quicktime Mov files for FCP to like it. It’s not about codecs it’s about conversion.
    – JB

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Jon Barrie

    October 14, 2009 at 11:34 pm in reply to: .mov codec in premiere

    The Black Magic codecs won’t help you with Apple only codecs. You’ll need to convert them to something that PC will like – Black Magic codec would work, or even Pro Res. You may need to get them converted from a Mac though. Look for Apple codec converters for PCs.
    – JB

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • Jon Barrie

    October 8, 2009 at 11:24 pm in reply to: Premiere has problems with my AE animation

    What version of Quicktime do you have on your system? You may have to either update it or roll back a version. I have 7.5 on mine and that seems to have worked fine.
    – JB

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

  • You are dealing with an Apple intermediate codec, so on Windows you are pretty much stuck. Someone around was saying they used I think Raylight to get FCP converted P2 footage to work on a Windows system.
    If you have the original CONTENTS folder and all the originally recording folder/file structure you can edit with that in CS4.
    Try looking around. this is not a new problem. Thanks to Apple.
    You’ll find you either need a mac, buy raylight, or get someone with a FCP system to completely convert all the footage to something that is cross platform, like ProRes or Uncompressed.
    – JB

    Jon Barrie
    aJBprods
    http://www.jonbarrie.net

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