Forum Replies Created

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  • Jonathan Thomas

    December 26, 2011 at 10:27 pm in reply to: Following up re: digital delivery

    Yes… I would like to hear more on prices. I know DG Systems Standard Definition is $25.
    An if I can remember HD is $200. My client can’t afford that.

  • Jonathan Thomas

    October 31, 2011 at 5:48 pm in reply to: TV Commercials – encode setttings

    General File Specifications

    Maximum Setup Levels
    7.5 IRE (SD) and ITU-R BT.79 compliant (HD)

    Maximum Luminance Levels
    100 IRE (SD) and ITU-R BT.79 compliant (HD)

    Maximum Chroma Levels
    120 IRE (SD) and ITU-R BT.79 compliant (HD)

    Average Digital Audio Levels
    Between –16 dBFS and –20 dBFS with high peaks
    between -10 dBFS and -12 dBFS and a maximum
    of three peaks per second

    Recommended SD Settings
    Video
    MPEG-2 program stream
    18 Mbps
    4:2:2
    9 frame GOP
    29.97i frames/sec.
    4:3 aspect ratio
    720×480 (720×486 if captioned)
    Lower (bottom) field first
    Audio
    MPEG-1 Layer 2, 2 channels (L-R), 48 kHz, 20 bit, 384 Kbps

    Recommended HD Settings
    For HD spots that are ready for delivery, DG can accept H.264 files
    at its regional FTP sites. However, Apple ProRes is the preferred
    format for files requiring production services such as watermarking
    and tagging.
    H.264
    Video
    H.264 (.MOV)
    50 Mbps
    4:2:2
    GOP structure not defined
    29.97i frames/sec.
    Field dominance not applicable
    1920 x 1080 (16:9 aspect ratio)
    Audio
    LPCM Integer (big endian)
    2 channels (L-R), 48 kHz, 16 or 24 bit, OR
    8 channels, 48 kHz, 16 or 24 bit
    Ch. 1 – 2: L – R front
    Ch. 3: Center
    Ch. 4: LFE
    Ch. 5 – 6: L – R surround
    Ch. 7 – 8: Lt – Rt stereo

    Apple ProRes
    Video
    Apple ProRes 422 HQ (.MOV)
    Automatic bit rate
    4:2:2
    GOP structure not defined
    29.97i frames/sec.
    Top field first
    1920 x 1080 HD (16:9 aspect ratio
    Audio
    LPCM Integer (big endian)
    2 channels (L-R), 48.00 kHz, normal quality, 24 bit

    DG Layout Requirements
    One spot per file
    File structure
    Minimum 1 second of black / silence
    5 seconds of slate
    2 seconds of black / silence
    Content – up to 120 seconds
    Minimum 1 second of black / silence

    Slate requirements
    Ad code (ISCI / Ad-ID)
    Spot title
    Spot length
    Closed captioning (if applicable)
    Do not include resolution (e.g. 1080i) in the slate information

    Naming conventions
    The filename must match the ISCI or Ad-ID,
    e.g., for ISCI/Ad-ID ABCD1234,
    the filename would be ABCD1234.MPG
    For HD spots, the filename must end with an H
    (e.g., ABCD1234H). When submitting HD and SD
    versions of the same spot, the filenames should match,
    e.g., ABCD1234.MPG & ABCD1234H.MOV
    The filename must contain only alphanumeric characters.
    The filename must be all upper-case.
    The filename (excluding the extension, e.g., .MPG)
    must not be less than 3 or more than 15 characters
    (including the H to designate HD content).
    Incorrectly named files can delay processing of your spots.

    Here is another setting from DG FastChannel.

  • Jonathan Thomas

    October 31, 2011 at 5:41 pm in reply to: TV Commercials – encode setttings

    HD Technical Specifications

    Acceptable formats for HD spots

    Disks
    CD or DVD (be sure to list the titles on the Disk)
    MPEG-2 files or QuickTime (.mov, H.264) files are the only files accepted

    Electronically
    FTP *
    MPEG-2 files or QuickTime (.mov, H.264) files are the only files accepted
    DG Systems**

    In order to receive a username/password to access the HD side of our FTP site you first must send us an HD spot to test and make sure it can go through the system correctly. You can test this by calling Time Warner.

    • Once we have a successful test, a username and password will be given to you to use. Please allow up to 5 business days for the username and password.
    • * Site address is ftp://24.106.236.181/. Internet Explorer must be used to access the FTP site.
    • Place all HD spots into the HD folder in either the “720” or “1080” subfolders.
    • The filename should be in all UPPERCASE
    • The filename should end with “HD” (to designate HD).
    • The filename should consist of only letters or numbers.
    Example. ABCHARDWARE – CLEARANCE_SALE_2009HD
    • File name can’t include periods, slashes or the pound sign
    • Each file submitted must contain only one commercial.
    • All commercials must have 5 seconds of black from the end of the slate to the start of each spot and 5 seconds of black from the end of the spot.
    ** Must have a DG Systems account setup. The phone number to contact DG Systems is 1-800-324-5672. Our System Code box # is 76.

    Video Format

    Format Vertical Lines Scan Type Frame Rate
    720p (1280×720) 720 Progessive 29.97 Progressive
    1080i (1920×1080) 1080 Interlaced 29.97 Interlaced

    Sampling Rate: 48KHz Average Audio Level: 0 dBfs
    Aspect Ratio: 16:9 Video Bit Rate: 15Mbps or higher

    Audio must be two channel audio.
    CH1 Stereo Left
    CH2 Stereo Right

    Video levels must not exceed 100IRE, Chroma levels must not exceed 110 IRE and Black levels must not go below 7.5 IRE at any time.
    Disks should be sent to the following address: Time Warner Cable Media Sales

    Attn:MasterControl

    Here are general specs for TimeWarner Cable. But others like WOW or AT&T may differ.

  • Jonathan Thomas

    October 28, 2011 at 5:44 am in reply to: FS100 – Why does it look so video-ish?

    Man…I dont no what you are talking about. But…for me that looks like it has a clean film look, instead a real soft warm look. I couldn’t tell the different when I first look at it? Too me it looks like a different light profile…thats what I am seeing!

    Film look has many different light profile. Far as the ballerina footage that Sony used as example. It has a clean film look compare to a mist or dream glow that film usually have.

    Thats what I am seeing.

    Thanks:)

  • Jonathan Thomas

    September 26, 2011 at 3:53 pm in reply to: Sony Vegas 50 mbps output for broadcast?

    Hi Roger,

    What camera did you use to film the event?

    JT

  • Jonathan Thomas

    September 21, 2011 at 6:12 am in reply to: From Vegas Pro to Cinema

    Good job edited in Vegas? I see some of Vegas effects you used. Also…Video CoPilot sound track and great job with Canon 7D.
    https://vimeo.com/10025621

  • I know that Vegas Pro 10 has not been as stable as previous versions but sometimes that comes with adding so much new functionality like the entirely new OFX plug-in framework, 3D, etc. I don’t like it anymore than you do and I do hope Sony gets it more stable quickly.

    ~jr
    https://www.johnrofrano.com
    https://www.vasst.com

    Yes it does! Go visit SCS Forum and listen to the customer’s complaint. The other NLE are starting to get better. Vegas starting to get worse! I’d use Vegas since Vegas Video 3 it been stable until Version 8.2 release. Version 8.3 is stable. While the others are improving…whereas FCP X is adding features that Vegas have and Mac run better.

  • Jonathan Thomas

    May 9, 2011 at 11:36 pm in reply to: Boris RED5 and Vegas 10.0d x64

    Great I am waiting too!

  • Jonathan Thomas

    May 3, 2011 at 7:38 pm in reply to: Zooming in on preview

    What I do guys… click on event pan/crop feature and zoom on the clip there to check the video quality.

  • Jonathan Thomas

    March 30, 2011 at 8:19 pm in reply to: AVCHD vs HDV

    Hi Scott,
    How does your Sony DCR HC1 compare in quality with your Sony FX1?

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