[John Wahoo]

Hi,

yeah you´re probably right, but i still don´t feel very comfortable shipping expensive equipment around on a somehow regular bases.
Call me paranoid, but i had some bad experience with that 😉

besides that technical specs can be found at
https://www.konvision.com/en/show-82.aspx
https://www.konvision.com/en/show-62.aspx

[John Wahoo]

Thank you both for you input, this got me to the right direction…

much appreciated!

[John Wahoo]

Hi, thank you for taking you time to answer.

Just to let you know, usually when i´m color grading I´m using Assimilate Scratch, where i can import the edl, start working and if there´s only changes in the timing of the edits, where some clips might get longer or shorter (that´s what i meant by minor changes) I can reconform and i still can keep my color grades.

As this project involves not only a single timeline and color correction, but multiple layers and blending modes as well as some roto and cleanup i guess i´ll be forced to use after effects and i was hoping that there might be something similar in AE like conforming in Scratch. (and i only have a license for Scratch in v6, where there is no multilayered timeline 🙁 )

I´m aware that AE is built for different purposes, but i guess i will have to push them towards picture lock. and start with the more complex shots, that are already fixed…as you have said…

thank you!

[John Wahoo]

Hi,

i found out that there are some artifacts in the blue channel, which seemed to be created from the conversion of the files to the tif sequence i got. The problem is not in the raw files…

just to let you know

[John Wahoo]

Thank you for your response, the plugin is just the tool i was looking for… 🙂