John Sellars
Forum Replies Created
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That mp4 could be anything—H.264, AVI, MKV, etc. Is it camera original or encoded already from another format? Find the original and flip it to ProRes. Even the best spec’d computer may not play it efficiently in Resolve.
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I get 32 FPS rendering 2880×1620 to DNxHD 185, and 28 FPS for 2880×2160. That is for reading from, and writing to my internal RAID.
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Yeah, it’s worth a try when Resolve can’t find media, especially from Avid…
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[Robert Ober] “Not sure how to do that but I might try.”
v11 manual p392, Add Folder and SubFolders Based on EDLs into Media Pool
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Can you tell us the exact size and aspect ratio of your footage? I would like to test this on my system with the footage from here:
https://www.arri.com/camera/alexa/learn/alexa_sample_footage/
I assume this is transcode only… no nodes right?
2012 12 core 2.4GHz
GTX 780 6GB
24GB RAM
internal RAID 0 480MB/s -
Try using an EDL from Avid to gather your media, then use the AAF to conform it. For some reason Resolve seems to work better when it doesn’t have to do two things at once…
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ProRes HQ is way overkill for editing or grading h.264 at 24Mbs. Even ProRes LT is 81Mbs, but ProRes 422 is a good choice if it makes you feel better. Plus I know that my Fox delivery spec for output to HDCAM-SR is ProRes 422 (and this is for Red and Alexa originated material).
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What about adding the LUT to a track node, then turn it off with a static mark?
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Splitting the luma and chroma will give you better results. Although the tutorial below is for NR, it applies to sharpening as well:
https://www.youtube.com/watch?v=degEMVPLPdU
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https://forums.creativecow.net/thread/277/17103#29372
Also, I found that adding the raw files to the media pool before bringing in the AAF was more reliable. Use the EDL from Avid to do this. The only box checked in the Load AAF dialog box should be use sizing information.