[John Livings]

https://www.amazon.com/Rolls-8-Channel-4-Channel-Rackmount-Distribution/dp/B001032GYO

https://www.bhphotovideo.com/c/product/612993-REG/Rolls_RA102_RA102_10_Channel_Professional_Headphone.html

Hi Ty, I was considering something like above.

John

[John Livings]

Thanks Brian,

I ordered the HA-8000 from B&H, It looks like what I need and what I can afford.
(Under $130.00 Shipped)

Regards, John

[John Livings]

Hi All,

I have used these for a few years now.

The price is for 2.

https://www.speakerrepair.com/mm5/merchant.mvc?Screen=CTGY&Category_Code=ts-ts-spkr-cable

Regards, John

[John Livings]

Hi Ben,

Very Nice.

Please share with us (me) your set up, the type of equipment you use,Video Mixer, Audio Mixer, Mic’s
Cameras, Communications with the Camera operators, Mixer operator Etc.

Also on video # 3 (the one you are talking on), How much if any of the camera changes did you do in Post or was that all done on the fly?

Regards, John

[John Livings]

Hi Todd,

I “Just” started Mixing/Recording Video Live.

I rented an MX-50 for a day, It stopped working during the mic check. (The rental co. refunded my money)

After some online research, i thought I would try the MX-1

I bought a Videonics MX-1 on ebay for 350.00 + shipping. (No power supply).

I shoot in DV (DV-25) not SD (DV-50), As the inputs/outputs on the MX-1 are S Video or RCA, The quality out of the mixer is about the same as the tape from the Cameras.

I use RG-6 with RCA or BNC connectors soldered on.

The Cable runs are; 2-100 feet 1-150 feet 1-25 feet with NO problems

The video preview goes to a 17 flat screen rack mounted and the output goes to a DSR-11 or a GV-D1000 deck.
I use the DSR-11 if the show goes more than 60 minutes( the DSR-11 records 184 minutes)

I run sound from the mixing board to the MX-1 (No other Audio feeds) I do record audio on all 4 cameras and I pull all 16+ channels off the sound board to mix in post (Alesis HD 24).

As I am not set up to do a final Audio or Video mix during the program, I must edit in post. (However the Video mixer is getting me closer to that goal) With LOTS of backup

The MX-1 Needs an AC to AC Transformer 120VAC to 12VAC.

For me the MX-1 is the Ticket as I shoot in DV, I think you would take a hit with SD (DV-50)

John

[John Livings]

Hi Shane and Tom,

I thought that was the case, Just hoping it could be done.

Thanks for your input,

John

[John Livings]

Hi Tom,

A sub-frame would be a part of one frame, e.g., 1 Frame =1/30 of a second (29.97) A Sub Frame would be the ability to cut the frame into say 1/100s.

Using Multi Cameras (in my case 3 or 4) Non Time Code Synced, It would be nice to move the Video clip left or right Less than One Full Frame (Just like Capt. Mench’s Audio sub frame adjustments)

This would allow me to line up any number Video Clips to a more accurate position for editing.

I am able to sync up my Multi Track Recorder to any One of the Cameras Video/Audio Clips, However I can’t move the rest of the Video clips to match the first video clip.

Thanks for any suggestions,

John

[John Livings]

Thanks Will, I will check into that.

John

[John Livings]

Hi Will,

The cameras have Time Code I/O, I will continue to try to figure this out.

Thanks for all your suggestions.

John

[John Livings]

Hi Maurice,

I can’t seem to find a Panasonic MX70 under 3-4,000 Dollars.

Any other Suggestions?

Thanks, John