John Kaley
Forum Replies Created
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After either method, the sound will be in sync, but slowed down. You can open the audio from these movies in Soundtrack Pro and resample the audio to 48khz, then do a pitch shift (Process menu/Effects/Pitch/Pitch Shifter II). Set the mix to 100% and the Semi tones to around 3.
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Do you mind if the resulting footage has a slight slo-mo effect to it? Does sync-sound matter? Is the main project interlaced? Does the Sony footage have interlacing? If the answer to all questions is no, you can conform the footage with these methods:
Using Compressor:
In the video settings tab, select the codec (ProRes I hope) and change the frame rate to 25.
In the Frame Controls tab at the bottom select Rate Conversion/Best.
Click the very bottom button that says, “so source frames play at 25”
Output at 100% of source and yer good to go.In Cinema Tools:
Open the clip in Cinema Tools
At the bottom right of the viewer, select “Conform”
Select 25
Hit “Conform”
WARNING: This will not make a copy, but will alter your clip.
This will also resample your audio to a sample rate other than 48 khz. You either have to delete the audio track or resample the audio in Soundtrack Pro to 48khz and marry it back. -
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What 3rd party effects do you have on the clips? You might have to pay for or re-enter the serial number for the plug-ins.
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Noise will help blend the gradients together, but it require too much “noise”. You also may want to have a look at “Magic Bullet DeNoiser”.
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In AE: Effect/Noise&Grain/Noise
Season to taste. -
Mike, your card is compatible.
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So it’s possible that the LHe may be supported under FCPX in the future? Just not with the Beta drivers?
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It seems that Apple really needs to spill the beans about it’s FCPX (iMovie Awesome) road plan to comfort everyone before the ship is empty.
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But hey, looky there: it will import ALL of your previous iMovie edits! (You DID edit everything in iMovie, didn’t you?)