[John Fishback]

Perhaps in their calculations they used 23.98 rather than 23.976 which would cause drift.

[John Fishback]

Thanks for the heads up, Jeremy. All I did was apply the effect to a clip and see timecode. I didn’t check to see if the t/c was accurate.

[John Fishback]

If you use the color mask and choose the green with the eye dropper then you can either desaturate the color or change it to a different/better color.

[John Fishback]

Slowing/stretching the audio to four times its original length will likely introduce artifacts. You may want to consider augmenting/replacing some of the audio. Think about it from a sound design point of view.

[John Fishback]

Excellent review, Ty. Thanks. I can’t believe we somehow lost track of 2 old RCA 44s we once had.

[John Fishback]

Here’s a link to a video explaining what Ty has been saying. While your wireless setup doesn’t have all the controls mentioned in the video, it explains gain staging well.

[John Fishback]

Sounds like an audio compressor or limiter is misbehaving. Is everything rendered before you export? If not, try that then export.

[John Fishback]

Velcro to a cage? We use a long power cord and put the battery in a pocket.

[John Fishback]

You might try VLC Player. See this article:

[John Fishback]

If I know the video is for web use I usually choose 23.98. Doing that ups the encoded quality at a given frame rate as the encoder can apply the data rate to 24 rather than 30 frames every second. If for television, then 30 is the way to go.