Here’s a list of traits I love in great editors. Forgive my redundancy.
Come to work with an open mind and be prepared to have fun. If I feel comfortable with you, we’ll be able to experiment and that storyboard will merely be the launching pad to something great.
Know everything. Know where the good sound effects are in the enormous library. Know how to make an amazing edit. Know how to mask things out to make a shot just a little prettier. Take initiative to be an authority so that when you tell me something, I know it’s the truth. Surfing the cow and learning all the tutorials here is an excellent place to start. Kudos!
AUDIO. Make great mixes. Just because you’re an offline editor doesn’t mean your spots have to sound like it. So many times I get approved because we take the time to add a little sfx to a graphic, ride up the music in a vo gap, etc.
Don’t be afraid to color correct a shot, even if it’s just for offline purposes. Make each shot as pretty as it can be and don’t send in something that looks bad just because you know it’s going to be finished somewhere else, later.
Take notes. Learn how to burn dvd’s, understand web codecs, be able to post a spot to a nice website (even on iweb), and understand the little details around what you do.
Know every shot – know each take – know how to pick the best one. Use common sense. If common sense isn’t working for you, ask why something is done. A good producer will recognize that you’re trying to understand the nuances of logic that sometimes seem conflicting.
Learn your quick keys. Speed is invaluable. Build macros, automation, etc. into your work flow.
Anticipate needs and be prepared for last minute emergencies.
Know little tricks that enhance edits. E.G., a reverse cymbal into a hit/music dropout adds a bit of flair to a boring edit and causes viewers to take notice.
Know how to pick out a great track of music. Know the libraries you’re using. Having a few unused tracks that are awesome in your pocket can literally save a spot from being killed.
Get slates right – always. Develop a process of check and balances to help you get them right always.
That’s all I have time for now. I think these are great traits for my editors to have.
Good luck!
John
Magic Feather Inc.