Joey Foreman
Forum Replies Created
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Layer > Transform > Fit To Comp
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Precompose the envelope layer, leaving all attributes in the Main Comp.
Open the precomp, add your stamp layer and position it where you want.
It’s now connected in the Main Comp.
By the way, 3d transforms, including rotation, are respected in a parent/child relationship as long as both layers have their 3d switches enabled.
And if you wanted, you could just pickwhip an expression linking the layers’ opacities. But that’s less flexible and more work than necessary for what you need. -
Are you using CC Force Motion Blur?
Do you have Motion Blur enabled for the Comp as well as the layer?
Have you tried overriding AE’s Motion Blur?
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Could you post a screen grap of your entire AE UI, showing all layers?
Have you tried changing the layers’ Transfer Modes to Alpha Add?
Are you using Collapse Transformations?
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Hip hop? What’s that? We mostly just listen to the classics like Liberace, Perry Como, and, if we’re feeling like shakin’ it up a bit and getting loose, maybe a little Jimmy Buffet.
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Robert, your suggestion was good, but why not focus your energies on just being helpful, rather than critiquing or criticizing the style of others?
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Continuously Rasterize.
https://help.adobe.com/en_US/AfterEffects/9.0/WS3878526689cb91655866c1103906c6dea-7f49a.html
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Whoa there, tiger. Michael isn’t suggesting using Color Key for the primary key. Only to remove a small patch, which it is actually excellent for, not to mention fast to render.
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Have you thought about contacting Adobe Tech Support?
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Yes, it’s all doable in AE.
The swarms of letters are Particles. AE ships with a couple of different particle systems, CC Particle World being quite powerful.
A third party plug-in like the excellent Trapcode Particular may have been used.Other effects in this video are just Text on 3d Motion Paths; I see some Displacement effects and a lot of simple 3d transforms.
Some glows…etc.Gotta love some Hassidic Hip Hop.