Forum Replies Created

Page 105 of 132
  • Job Ter burg

    September 22, 2009 at 5:29 am in reply to: Digitising Varicam 25fps / 60fps into PAL project

    Just saying: MC v4.0.2 is live now.

  • Job Ter burg

    September 22, 2009 at 5:28 am in reply to: MC to FCP?

    You won’t be able to capture in Avid without losing some material either. Sure, you can set a 1 sec preroll, but the Avid – like FCP – will stop at a TC break.

  • Job Ter burg

    September 18, 2009 at 7:34 pm in reply to: Transcode SD to HD timeout

    This is going to be extremely easy as soon as you can get your hands on MC4….

  • Job Ter burg

    September 18, 2009 at 9:28 am in reply to: AVID 1080p DNx 175 23.98 out of RedRushes > 29.97 1080 ??

    Are they absolutely sure they want to handle this at 29.97? The proper way to do it would be to work in 23.98, then playout the finished piece to 29.97.

  • Job Ter burg

    September 17, 2009 at 3:18 pm in reply to: Converting a 25p to 24p

    Do the manual reconform. That way you can use newly synced clips in your new timeline. It’s a bore, but more foolproof than any other sort-of-automated way. Just my 2cts.

  • Job Ter burg

    September 17, 2009 at 6:37 am in reply to: Source Monitor gone

    Pretty sure you should be able to drag the S/R monitor wider/larger, and the dual monitors should reappear.

  • Job Ter burg

    September 16, 2009 at 3:28 pm in reply to: converting seq to one clip or a subclip

    But it makes a nice feature request. If you like the idea, you can support it on the Avid Forums.
    https://community.avid.com/forums/p/75484/422243.aspx#422243

  • Job Ter burg

    September 16, 2009 at 3:21 pm in reply to: converting seq to one clip or a subclip

    Sorry, you can’t.

  • Job Ter burg

    September 15, 2009 at 8:12 am in reply to: Media Creation

    Well, here’s an idea:

    As long as you use MXF files, your Avid MediaFiles folder will have a subfolder named “MXF”, which has at least one subfolder named “1”.

    If you have a current project, and are starting a new one, you could simply rename the “1” folder to “PROJECTX.1”. Media will be available, and all new media is created in a new folder named “1”, which you could easily rename as well.

    The downside is that – even though the Avid reads the folder – it won’t be able to write to it nor rebuild databases and such. Also, your Avid will keep rendering and writing to folders “1” and “2′.

    ALternatively, on Windows, you could use the subst command, which allows you to designate a certain folder and make it appear as a (virtual) drive. I couldn’t find anything similar for Mac this quickly, but I suppose there should be either a Terminal command or some shareware utility that would allow you to create virtual drives.

    And of course, there are applications like MediaMover, MediaSift, MacMediaSift and MDV, which allow you to filter Avid MediaFiles folders. That way, you can just work on, and separate out files later.

    HTH

  • Job Ter burg

    September 13, 2009 at 10:51 am in reply to: From FinalCut to Nitris DS (or MC at least)

    Why not install the Avid codecs on the FCP side, then export as Avid Uncompressed or DNxHD?

Page 105 of 132

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy