Forum Replies Created
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Thanks!
Great help
I’ve found using the extract to create a luma track matte gets me much closer. Perhaps in combination with the rotobrush and -or simply a garbage matte to clean up a few of the tougher shots and I’m good to go.Local is the new global
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Todd, i have a similar question but in regards to Syntheyes.
I need to track a dancers hands in shots that are both moving and locked down. I then need to import this 3d data into After Effects for use by TrapCode.
Is there any way the new built in 3D tracker will accomplish this, or would a package like Syntheyes be necessary?
Thanks in advance for any feedback!Local is the new global
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Jim Bachalo
August 6, 2013 at 9:20 pm in reply to: Error occurred while trying to decode frame from clip…using QTDecoder…Hi Peter
The latest OSX and version of Resolve lite. In any event I rebooted and was able to avoid this particular error message.
My only hurdle now is properly add dissolves back in since my source file is a flattened Quicktime using scene detection. Going to go thru the manual since I imagine I must be able to use an XML (or EDL) export from PPro to re-apply all my cuts and cross dissolves in Resolve. Or I can simply manually reapply themLocal is the new global
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Jim Bachalo
August 6, 2013 at 1:25 pm in reply to: Video dissolves when source media is flattened quicktimeYes to the above. Using scene detection. Instead of deleting my dissolves BEFORE exporting to flattened QuickTime, should I instead leave them in, and manually cut down the middle?
I would then need to recreate them in Resolve.
This has been suggested elsewhere but I thought it made more sense to delete the dissolves first.Local is the new global
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Thanks Juan. Great to see you active in this forum. Definitely a great resource for the community.
Local is the new global
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Jim Bachalo
July 31, 2013 at 11:50 am in reply to: Export to Resolve with scale, sizing, horizontal flips and dissolves…possible?Thanks Walter.
Do you do your final render out of Resolve or do you bring it back into Premiere?
How do you handle dissolves? I assume scene detection won’t work with these. Do these need to be added AFTER all CC work in Resolve?Are you ever concerned with quality lost with the extra generation, or is this a non issue with HQ ProRes?
Local is the new global
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Jim Bachalo
July 22, 2013 at 9:13 pm in reply to: Cleaning up muddy sounding classical piano music recordingThanks Joe!
Local is the new global
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Thanks! As a first step will try keying. If that doesn’t do the trick will give rotoscoping a try!
Local is the new global
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Jim Bachalo
May 14, 2013 at 9:11 pm in reply to: 4K to 1080P workflow> downsample BEFORE with MPEG Streamclip OR let FCPX create proxy mediaThanks! I understand however that any footage metadata when applied in FCPX is project specific, but when applied in Davinci resolve is saved with the actual file!
Local is the new global
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Thanks Oliver!
One further question
If I wanted to do my color grading on a different workstation than the one I edit on (say a PC laptop), what would you suggest?
Ingest first in Resolve on the PC(letting Resolve create proxy media) and then exporting XML to FCPX to edit with proxy media?Local is the new global