Jerry Smith
Forum Replies Created
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All my edges were created with pixel perfection in Photoshop for example. And I want to preserve those for posterity without having to open AE again.
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Yeah, it’s more the container/codec question. If I start with a hex in the Apple RGB working space and then export through AE to the lossless default, then the Apple RGB ICC info doesn’t seem to get embedded. If on the other hand I export through AME to h.264, then the Apple RGB ICC info does seem to get embedded and my red turns a bit orange like it looks in AE.
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Argh. I meant to say “aren’t embedded”.
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Hey Michael,
Thanks. I know that page. But it doesn’t explain why my exported videos all look the same despite looking different in AE. The “videos” consist of a single hexidecimal color. The hex never changes. The working spaces do change.
My assumption is that the videos are embedding any ICC profiles.
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BUT, BUT, BUT,
I just exported from No color space, sRGB, and AppleRGB, and despite setting the output profile to be the working space and hence expecting three different looking videos, they all look the same. What is going on?
This relates to my other question about which codecs embed the color information. Oy Vey!
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OK, scratch that. I guess I had made so many changes that AE even stopped talking to me. The appearance does change! Whew.
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Anybody?
Suppose I import a PS file into AE and it has an embedded profile. I then do a bunch of manipulations. But then I decide I want to ignore that embedded profile. Is there some way to turn off all embedded profiles? I just want to use the Hexes that came with the PSD document and the present AE Working Color Space.
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It’s a Mac. Final format doesn’t matter. It may be different on a PC. I just don’t understand why I end up getting two files.
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Source is just a 24 bit .wav audio file.
I just want to make sure that despite it saying “Lossless” in the Render Queue, it’s only the video part without the audio that is actually lossless. It’s just a yes or no question. If no, then I’ve misunderstood something.
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Hey Walter,
I’m demoing this but it seems to have trouble getting a palatte when precomps are involved. I’d like to be able to just get a palatte of all colors that are used in a 4 minute composition. There aren’t many. But I don’t think this can do it. Have you been able to get all the colors used in one fell swoop even drilling down into precomps?