Forum Replies Created

Page 97 of 508
  • Jerry Hofmann

    April 18, 2011 at 12:01 am in reply to: FCP X pro. ANy mention of Codecs?

    It was stated it would work with any codec as source. It renders it to the sequence’s settings in the background as soon as you place the file in a sequence. It was intimated that all codecs will be supported.

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

  • Jerry Hofmann

    April 17, 2011 at 11:52 pm in reply to: Optimal Settings for Multi Cam Editing?

    I think you’re overthinking it all… if your tests worked OK, go with what you did there…

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

  • Jerry Hofmann

    April 17, 2011 at 7:28 pm in reply to: Optimal Settings for Multi Cam Editing?

    You have it all right. I’d go to ProRes LT. I’d make it all the same at any rate, then go for it. You have the workflow down OK. Use the standard presets for ProRes but change the frame size. Might test down converting one file of each of the HDV and other 1080 footage to 720. See if it looks acceptable, then you’d not be up converting the 720 to 1080. Try it and post back. Use compressor preset for ProRes LT, but change the frame size to 1280X720 after you add it to your clip. THen copy the setting to the others.

    Capture the HDV as ProRes… it will come in at 1080 so still needs scaling down, or the 720 needs scaling up… I’d scale down for a DVD delivery.. it’s SD after all. But I think I’d edit in HD ProRes LT alright.

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

  • Jerry Hofmann

    April 17, 2011 at 2:21 pm in reply to: Optimal Settings for Multi Cam Editing?

    Post the formats you’ve got to work with… ProRes LT might be just the ticket.

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

  • Jerry Hofmann

    April 17, 2011 at 2:12 pm in reply to: Frame rate for broadcast

    Take a look at the AJA cards. https://www.aja.com (Kona line) The LHi or 3G card would work.

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

  • Jerry Hofmann

    April 17, 2011 at 4:25 am in reply to: Frame rate for broadcast

    Yes, it’s 29.97 for HD… It can be outputted as 29.97 to a tape with a capture card, or other outputting card/box… or you can add the pulldown to it by exporting it as a file… best done with the card though. THey want tape, right?

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

  • Jerry Hofmann

    April 16, 2011 at 6:35 pm in reply to: fix the Autosave function

    Indeed, it saves every move you make…

    Said so in the demo.

    Jerry

  • Jerry Hofmann

    April 16, 2011 at 6:29 pm in reply to: Another FCP X screenshot?

    If indeed FCP X was really “iMovie Pro”, who cares? What REAL difference does it make?

    NLE Software has been inexpensive enough for anybody to buy it for quite some time now. FCS (2009) was being sold for a song IMHO. So’s Avid. $995? My first Avid cost 64k, and did less than iMovie 1.

    It comes down to this: Does the tool do it for you or not? No NLE made a better edit decision than the next NLE, right? I don’t care what code was used as long as the tool gets the jobs done I need to get done. Any NLE that works faster is welcome in my book. Video processing time is going to be minimized in this new NLE. Doesn’t matter to me who, how, or where they got the ideas for the software as long as they work, they work.

    Leveling the playing field to enter the game already happened I think… FCP X could be a free download and do more than a Flame combined with Smoke and all of AVID thrown in, and this wouldn’t change what’s happened already to the world of professional editing. The tools are accessible to anybody and have been for some time.

    I rather like the new interface.

    It’s not the tools that give you the status, it’s the resume. Anybody can buy the tools.

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

  • Jerry Hofmann

    April 16, 2011 at 5:58 pm in reply to: avchd>fcp

    Yep. The faster the Mac, the faster the encode to ProRes from the AVCHD files.

    FCP X will work with the original files…

    Jerry

  • Jerry Hofmann

    April 16, 2011 at 3:31 pm in reply to: avchd>fcp

    You can still copy to a hard drive first (as a backup?), but still need to use log and transfer on those files…

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

    Current DVD:
    https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.

Page 97 of 508

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