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Jef Huey
February 28, 2013 at 6:30 pm in reply to: Premiere to Davinci, clip cant be linked to the media file timecode extents do not match

Try using Export AAF from Premiere. That is working much better for us.

Jef
Jef Huey
February 28, 2013 at 3:05 am in reply to: Audio EDL with over 4 tracks

Try this:

Under edl type, choose “quedos” rather than “cmx3600” or whatever.

That seems to make a variant of an edl which support multiple audio tracks. Depending on your needs, it may be acceptable.

Jef
Jef Huey
February 4, 2013 at 1:56 pm in reply to: Sequence Color Space?

Thanks again Angelo,

I had not read all the way thru the resources you offered. Good info. Wish that was in the documentation!

Cheers,
Jef
Jef Huey
February 3, 2013 at 12:13 am in reply to: Sequence Color Space?

Hi Angelo,

Very interesting information. May I ask where you found all this?

So, based on the information you pass on, how does Premiere handle a dissolve from a native RGB source and a YCrBr source?

Thanks,

Jef
Jef Huey
February 1, 2013 at 8:27 pm in reply to: Sequence Color Space?

That is correct. Red does not seem to make overbrights. Which makes sense as the doc for RedcineX says that the pipeline is Raw-To-RGB.

What I do wonder is what is the Red SDK feeding to the Premiere sequence?

RGB or YCrBr. I will guess RGB, but it would be nice to know.

Premieres doc is really bad IMHO.

Jef
Jef Huey
February 1, 2013 at 5:45 pm in reply to: Sequence Color Space?

Hi Walter,

Thanks for the info.

As for DPX (and it does relate to this thread) we are looking for a workflow for a project that will have Red footage as well as tradtional HD camera material that will have overbright footage.

I would like to be able to “bake” the sequence to DPX and maintain the overbrights for a Resolve color correction session.

This is quite easy in Avid DS. I have not been able to replicate the settings in Premiere yet.

Thanks,
Jef
Jef Huey
February 1, 2013 at 4:13 pm in reply to: Sequence Color Space?

Yes, I noticed that. It would be nice to have a bit more control over sequence specs.

This is not easy to test, as I don’t know of a way to determine what is actually inside a ProRes 444 file (whether RGB or YCrBr).

This all relates to my questions about DPX earlier. Still struggling to get an acceptable output there.

Jef
Jef Huey
February 1, 2013 at 3:44 pm in reply to: Sequence Color Space?

Ok, but ProRes 444 can be either RGB or YCrBr depending on input. How can I “force” Premiere to feed it RGB? In the preview render settings, I don’t see anything about color space.

Jef
Jef Huey
January 30, 2013 at 4:14 pm in reply to: DPX export documentation?

Thanks. That is good basic info.

Unfortunately it does not help clarify the tools in the DPX output module for Premiere. My tests have not lead to a preset that gets the result I need.

Jef
Jef Huey
January 30, 2013 at 2:54 pm in reply to: DPX export documentation?

I want to output DPX files to go to Resolve. The problem I am having is that the DPX test I have conducted shows clipping of video over 100ire. Many cameras still create video over 100ire and I do not want to lose that. Plus the test I have done seem to show that all the presets are not dealing with the gamma curve inherent in 709 video correctly.

It is sad that Adobe makes a product with lots of adjustment options but NO documentation on how to utilize the adjustments.

Jef

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