Forum Replies Created
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Try the Send to Squeeze template. It’ll either work (giving you a QuickTime ref you can use) or fail…meaning something else is wrong.
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
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Jeff Greenberg
March 4, 2012 at 3:35 pm in reply to: Best export setting / compression for DVD output.Dan,
The answer is the same for both questions.
The length of your video dictates the data rate. The higher the data rate=less compression.
The highest VBR MPEG-2 encode that permits you to have Audio on a fixed size disc under 9mbs.
So, 560/# min = data rate (using AC3/dolby audio).
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
Jeff Greenberg
March 4, 2012 at 3:32 pm in reply to: HDV 1080i highest quality coded work flow in CS5I haven’t used 5 in a couple of years…
Premiere Pro handles ProRes just fine. Even as a capture from FCP7
[Robert Martin] ” I think I will just capture in CS5 (creating mpeg2 clips) and then continue to edit in that native format. what then will be the export setting/the equivalent to fcp’s export quicktime movie function?”
Export Media? This used Adobe Media encoder to export to any format you like.
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
Jeff Greenberg
March 3, 2012 at 4:04 pm in reply to: HDV 1080i highest quality coded work flow in CS5[Robert Martin] “I am wondering if I should import directly into cs5 and edit the sequence in the native format.”
That will be the highest quality. If you ignore your previews (renders) when you export media, you’ll generate your rendered material directly in your output format – the best quality possible. If you choose to keep your previews (renders), you’ll have a faster workflow, but be dealing with renders of an intermediate codec.
[Robert Martin] ” What does offer the best video codec? compressor’s prores alpha or something that cs5 offers?”
Adobe doesn’t have their own independent post codec. If you truly want to work ‘pristine’ you could work uncompressed; realistically this means around you have to push nearly 30x the media, because HDV is that compressed. If you want to go apple sided, ProRes 422 (the generic ProRes) is probably enough. You won’t really get discernible differences if you were to use ProRes HQ or ProRes4444. Other decent alternatives are going to be Cineform and DNxHD.
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
Think you could share a screenshot?
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
I’ve done a couple of webinars for Boris- and there are a bunch in general – on Red (Avid FX)
Boris also has a video section they run – here’s the link with the RED specific videos.
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
Jeff Greenberg
March 2, 2012 at 4:26 pm in reply to: Jaksta or better for downloading YouTube and other videos?Big fan of DamnVid – open source google project, I use it as “no conversion” and then use professional encoding tools to convert as needed.
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
I’m pretty comfortable/content on 10.7 – I had to do it (as everyone did) as a 10.6 upgrade – there are no installer disks, you had to get it from the Apple Store…which means 10.6.8 to get the apple store…then 10.7 as a download…then the updates to current version.
Running Adobe/Apple/Avid here…
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
Jeff Greenberg
March 2, 2012 at 4:12 pm in reply to: Exported mp4 clip keeps freezing in the same placesHaven’t seen it.
Dupe that section into a separate project and see if it still has the same problem.
Old school workaround: “Export Media” out as ProRes and dump that to compressor.
Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website -
Jeff Greenberg
March 2, 2012 at 4:08 pm in reply to: FCP X- How do I copy/share only the media in a project?You’d think this would be under share, right? Nope.
You’ll need at least a 2nd drive for this.
Go to the Project Library, drag the project to another drive…
You’ll get a dialog box that will ask if you want to dupe the project, the project + all referenced events….or the one you want: Duplicate project AND used clips only.
You don’t get the option to get handles – only the entire raw clip; I suspect this has to do with long gop codecs; I think this makes (for apple) media management easier/safer/more bulletproof in an age of sourcing from long gop codecs.Best,
Jeff G
Certified Master Trainer | Adobe, Apple, Avid
————
You should follow me (filmgeek) on twitter. I promise to be nice.
My book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Lynda.com – Compressor Essentials 3.5 and 4
Contact me through my Website