Jay Moffat
Forum Replies Created
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I have the midnight, not on Davinci yet though, when I try it out I shall post back.
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Ello, is this a Davinci panel only feature?
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Hi Tom, would love to know your exact specs for the Rack mount solution, I have 3 rack mount bays on my Pro-edit desk which I plan to use one for the Ultrascope….ideally something super quiet.. would you mind posting your spec?
Many thanks
Jason
[Tom Babauta] “Regarding rackmount solutions, unless you’re willing to spend an arm and a leg on a turnkey solution, I think a 3U would be more realistic. You can go to your local Fry’s or PC components seller and have them assemble a Gigabyte based PC for less than $800 with a 3U rackmount casing (not including the LCD). Lemme know if you need the exact specs. Were using one side by side our BMD Resolve right now. Works great.”
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Whites being really white: That’ll be with scopes, ensuring your highlights match from left to right on the scopes, overlay mode is okay too, but not quite as accurate in my experience… if you’re getting eye strain and want to see it visually, a quick way of getting some visual feedback is switching your monitor from b/w to colour and seeing where the where the white hue lies (this applies to blacks too, although mid-blacks in the real world are very rarely true black, but this will depend on the prevailing lighting within a scene, but at least you’ll know if they are too blue, too yellow, green etc), this does assume you can trust your monitor…
But accurate scopes really are your best friend when grading..
J
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Some broadcast monitors have a cross hair which you can position over screen areas with rgb feedback, not what you’re after I know, but I solution if your monitor has this option…
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Updated link, sorry:
https://forums.creativecow.net/thread/277/4075#4075
Unsure if it’s any help in your case anyway, but you never know!
J
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Hi Peter, are there plans to include the Eclipse Bridge to the config?
Thanks…
J
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Jpo took the words from my mouth… It baffles me why people are bashing the very system with which they’re earning their living with. Very soon, if we’re not careful, our clients will get wind of some nonsense chatter, make it into something important and you’ll be lumped with the Final Touch / Color situation, where some productions won’t touch you… even though you’re perfectly able to do the job..
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[Nuno Garcia] “Tanks to all
i dont know what to do, or buy a davinci resolve color panel and finish my budget,(davinci resolve in europe is 23.000euro plus tax) or a JL Cooper Eclipse and a good monitor.
for me the second option is more smart, but all the clients like to see big control panel in the room.
one more time tanks
Nuno”
If it were a matter of choosing between the two…I’d say a good monitor for sure over the full panels…