[Jason Mccaffrey]

Thanks for the quick response. I actually had a catalogue sitting here in the office for bulb direct (www.bulbdirect.com) that had the bulb I was looking for. I appreciate your links, though.

Jason

[Jason Mccaffrey]

Thanks for the info. I’m sort of curious how an action safe or title safe overlay can be more robust than another, though.

I appreciate the quick response.

Jason

[Jason Mccaffrey]

So, what does it all mean, pros? How is this going to change our day to day lives?

Jason

[Jason Mccaffrey]

[Gunner Jones] “If you’re a cheap bastard, you can always get Matt Sandstrom’s Too Much Too Soon filters for free.”

I am a cheap bastard, but it’s not me we’re talking about. As for my boss, he pays my bills- so he’s a great guy.

I made my own effect keyframing within the color corrector. Going from white to not white, as one poster suggested, isn’t good enough for me. The way a photo develops looks more interesting than that. I will try the free plugs mentioned in this post.

I was shocked to see the amount of posts when I logged on today. Thanks everyone!

Jason

[Jason Mccaffrey]

shift-v will do an insert edit.

[Jason Mccaffrey]

This article references the dvx100 and not the Canon, but there should be some useful info for you here.

Jason

[Jason Mccaffrey]

You can do this within FCP. Copy the clip you want to place the blur on and stack it on top of itself in the timeline. Apply an 8 point garbage matte to the top layer. Keyframe the points of the matte to follow your image. Apply a gausian blur and/or whatever other effects you want to to distort the image lying underneath the mask. Hope this helps.

Jason

[Jason Mccaffrey]

[pdr] “

[Jason Mccaffrey]

This is helpful:

https://www.kenstone.net/fcp_homepage/fcp_5_new_martin.html

[Jason Mccaffrey]

Thank you- no, I didn’t know those keyboard shortcuts. Very helpful.

Jason