Jason Davenport
Forum Replies Created
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Talked to AJA, I just need to do it on a real mac with disk utility…Thx.
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Forgot to say I’m PC Wind7
That was the option, as the format I used in TransMac “OS Extended HFS+” other option was OS Extended (old Version) -
He said both avid and final cut were a year behind on versions. I gave him a number of a friend that is proficient with all. Thanks for your help but this guy needs a direct line. I’m a bad middle man on this stuff…Thx guys
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I’ll check. I’m prob did a horrible job trying to explain this…..
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Unless it was being in 720 apposed 1080, he wanted 720. And image looks slightly softer.
As for lighting 2×4 Kino key w/opal, fill and vertical rim, 2×2 Kino. Green lite with 2 420’s LTM with 216 full flood. Green was a nice flat 50 ire. I’ll try to get a still later. -
50ire. on waveform.
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I’m sorry I didn’t say, but this is just looking at camera to monitor. Panasonic 1710. No post green.
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Please…a review from a DSLR site. Their info is completely wrong. Noise…that camera has snr of 63
At 18db noise can hardly be seen
It’s a 3.5 sensor
Camera is 13,300k, glass is irrelevant
That noise still is BS.
Shoots Slog 444 same as raw.
Can shoot 420,422,444
It is modular, you can add separate recorder.Now we have another option to RED or Alexa than putting a $50,000 dollar lens on a $2000.00 camera that:
Shuts down when hot
Gives corrupted files
Freaks out at detail
Has bad case of gello cam
Needs $2000 dollars of stuff to put on shoulder
Bad VF output
No ND filtering
Moire
Audio..
Compression artifacts and messy gradient.Do I need to go on…
They are great for photogs but their life in the video world has ended.
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Thanks Steve.
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Close to broadcast..at least? It will the computer monitor. Have 2 of the broadcast 720 Panasonic’s. What would get me close to a $1000 monitor. Thx