Forum Replies Created

Page 52 of 104
  • Jason Brown

    July 15, 2010 at 2:35 pm in reply to: mac pro hookup for audio monitor

    Thought I’d update this post…

    Matrox came out with new software (v2.0) that enables output of the system audio through the matrox hardware…similar to what we’ve discussed here.

  • Jason Brown

    July 12, 2010 at 11:57 pm in reply to: Lines at top of capture

    Sorry to keep this going, but if this footage is interlaced, wouldn’t a scale potentially throw the interlacing off?

  • Jason Brown

    July 12, 2010 at 7:01 pm in reply to: Lines at top of capture

    If the black bars on the side and bottom don’t “bother” you for web output, then just crop the footage to see black canvas behind…and you’ll have a nice black border around your entire video.

  • Jason Brown

    July 12, 2010 at 2:27 pm in reply to: Lines at top of capture

    Ouch…

    Jerry’s response about scaling or cropping are the 2 ways to get rid of it, he didn’t say it was perfect, just the 2 ways to do it.

  • Jason Brown

    July 12, 2010 at 1:44 pm in reply to: convert HD NTSC to SD PAL

    Awesome…thanks for the response guys…

    Footage is progressive…I’ll get clarification on codec.

    I have alot of HD and SOME SD (sd is widescreen).

    I’d like to have the footage retain the same length…it would look strange otherwise, so I’m going to use compressor with frame control on.

    Thanks…I’ll follow up with results.

    -Jason

  • Think I’m still on v1.8

  • Jason Brown

    July 9, 2010 at 10:43 pm in reply to: FCP Log&Transfer: XDCAM to ProRes is bust!

    I’m interested as well…I’m in agreement that u cant transcode xdcam footage in log and transfer.

  • Jason Brown

    July 9, 2010 at 4:52 pm in reply to: Matrox MX02 LE with Max…yay or nay

    You should use the function – Send to Compressor … if you are on v7 it works in the background and you don’t have to create any intermediate files…and you can continue to edit on the same sequence you are making a transcode of.

  • Let me be clear, I’m not advocating for the use of Animation codec…simply that when forced to render the still frame the scale to 100% looked fine, where as when set to prores…it didn’t because it was giving me a “preview” with the green bar above the timeline.

  • I think I can shed some light with a personal experience that gave me some insight into how FCP works with JPG’s.

    First off, work at the highest video resolution available…HD 1920×1080.

    If you have the timeline codec set to ProRes…you’ll have to render large JPGs that are imported into that timeline.

    I was bringing in a photo that was something like 5000 pixels wide, FCP would scale it down to 20 something percent to fit it to canvas. Then when I would scale it to 100%, it would be pixelated. The bar above the timeline was green, so it was only showing a preview at lowered resolution. If I changed the sequence codec to Animation it would force render that frame on preview and it would look fine…so my experience taught me that your preview is just that, a preview…not final until it is rendered.

    HTH.

    -Jason

Page 52 of 104

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy