James Strawn
Forum Replies Created
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[Lance Moody] “you might look at how Lightroom does it–subtly but helpfully, using that grey frame around the image.”
Good suggestion. Please submit a feature request if you can.[Lance Moody] “One of my biggest gripes is how PP forgets the sort given to a bin. Why do I have to set that over and over again?”
I’m not sure. However you lay it out in icon view should be sticky unless you start deleting, nesting or duplicating things. Of course list view always sorts as a list should and changes there will be reflected in Icon view.Software Quality Assurance – Digital Video at Adobe Systems
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Your screenshot is helpful but I can’t tell what the brightness is doing because you have no monitor showing in your workspace. Also the UI has changed a lot since the version you’re on (CS6 right?) so it’s hard to tell just what might be getting you in trouble. If yo can provide some detailed steps of what you did as well as a screenshot showing the actual video output (make sure you compare it to what it looks like with no effect applied at all) then I might be able to tell if you’re just missing some step vs having some sort of GPU or other display problem.
Software Quality Assurance – Digital Video at Adobe Systems
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You’re not missing something, that’s the expected behavior. The purpose of the icon view is to put all of the visual focus on the media, including allowing users to scrub or play from there. You need to be in list view to see label colors along with other metadata set to display in the project panel. (you can use “Metadata Display” from the project panel wing menu to turn those on and off)
Software Quality Assurance – Digital Video at Adobe Systems
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If you set your Video Display Format to “Frames” then you can just put the playhead on the frame you’re looking for and note that value. If you do that in the source monitor, the value will be absolute to the source clip. If you do it in the program monitor, it will be relative to the sequence.
It may still require some math in certain scenarios but will be way easier than converting timecode yourself. Another trick, if ti works for your case, is to apply the timecode effect and set it to show frames. Files can be exported that way so that timecode (or in this case frame-code) will be burned in for easy and unambiguous reference.
Software Quality Assurance – Digital Video at Adobe Systems
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The official word is now “soon”. 🙂
I know that doesn’t help much but perhaps it’s better than “who knows”.Software Quality Assurance – Digital Video at Adobe Systems
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Why were you advised to nest everything before doing the time remapping? I’m not saying that’s wrong, but I usually do it per clip because it can get pretty confusing otherwise.
The other two items which you added as edits later were n’t really making sense to me. If you’re getting blackouts while playing where you know there is video then that sounds like a driver issue. So updating your driver is a good place to start if you have not yet.
Software Quality Assurance – Digital Video at Adobe Systems
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Is the option greyed out? What are you seeing?
Are you ready to upgrade to 8.2 at this time? If so, then perhaps an uninstall/reinstall would be in order anyways.
Otherwise try trashing your prefs first. (hold shift + alt at startup) -
The cloud file sharing part is available to anyone with an adobe ID, for up to 2GB of space at the free level. To get started, go here and click o the ‘Get an Adobe ID’ link:
https://assets.adobe.com/filesThis is not the same as a free product trial, which expires after a certain # of days. Of course you’ll each need a paid subscription to use the product itself, but the sharing part will be free via CC Files.
For users in a larger group, there is Adobe Anywhere
https://www.adobe.com/products/adobeanywhere.html
Which is a great way to share your projects and assets from a central server locale with full sharing ability and collision detection. But its still only offered at the enterprise level and is not yet available as part of Creative Cloud for Teams.
https://www.adobe.com/CreativeCloudforTeamsSoftware Quality Assurance – Digital Video at Adobe Systems
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PrPro CC next will offer you Open Captions which is what you’re asking for.
https://blogs.adobe.com/premierepro/2015/04/premiere-pro-next-colorful.html
“Editors who work with Closed Captions will now be able to burn them into video on export”
The official release date has not yet been announced. I can’t say any more than that, but keep checking https://www.facebook.com/premierepro for latest info.
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Another option is to import all files as an image sequence so that they will be treated as a single clip in PrPro. But I actually prefer Joe’s method because you have separate control over each and every frame if needed. It can still sort of be treated as a clip that way if you put them all inside a nested sequence.
Software Quality Assurance – Digital Video at Adobe Systems