[James Hoback]

Thank you for the quick reply. This is good in terms of tracking and set extension, but I’m looking for something very specific.

I’m trying to figure out how to lengthen a camera move by blending from the real camera move to a digital one. If my camera can only dolly back 10 feet in the studio, how can I extend the move to say, 100 feet?

Thanks again.

[James Hoback]

In the scene, you will find the geometry I’m working with and a test block. (I didn’t model these. I know it is not well done)

One thing I noticed was, in the viewer, both model’s textures distort in the view port. But, when rendered, the block looks just fine, no problems. But the original model renders with the distortion. I’m at a loss.

Thank you for your quick response.

https://ge.tt/6OkEtUO/v/0?c

[James Hoback]

Thank you for the quick response. I have used that script with great love, but I’m hoping to address the current situation and solve this problem.

Take care.

[James Hoback]

Dave, thank you so much. I took your advice and rendered each audio clip separately and wrote down the time code for the cross fades.

Thanks again. Take care.

[James Hoback]

Thank you very much for your advice. I’m always confused by this, because what I’m animating is driven by a music mix. As I worked with the client, we would come up with different ideas for the music mix and voice over placement, so it all had to be done in After Effects. I’m not quite sure how other people manage to accomplish the final mix.