James Ewart
Forum Replies Created
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Thank you for that.
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Thanks disabling seems to have speeded things up. Obviously not ideal but it’s a pet project and seems a good way of testing the software and OS.
Other than that happy to report all going smoothly.
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“Depends if u create it as a new master.”
Not with you there Craig could you explain.
Plus struggling to get the roles out as not showing in Timeline Index only when I expand audio components.
Original files were .MP4.
Best
James
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I’ve got the backups bug. It’s backing up in Background tasks avery second. Weird.
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Thanks
Got muddled because at one time compound clips did not behave like that I don’t think?
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“the senior editor doesn’t like the magnetic timeline and trackless arrangement’
I think of lot of us probably fitted into that category at the outset.
What I find a little odd is what it is about the software that people seem to imply is not suitable for anything other than fast turnaround pieces.
What specifically. I wonder makes people think it’s not suitable for a thirty, 60 or 90 minute piece? A documentary or a feature?
My take FWIW is that this is again the Premiere and Avid community trying to explain away their initial resistance about its being fit for purpose so now seem to be trying to explain it away with phrases like “oh it’s okay for news items but… “
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And which Mac are you using please?
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Did this new Adobe subscription model appear after the poorly managed FCPX launch?
Was it a “play” to bury FCP do you think? “You’ve got to come over to us and then we are going to own you” kind of a deal?
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Sorry I disagree. it’s what the accountants would like to be a “modern” concept.
If you don’t give customers what they want you will always fail unless you have a monopoly.
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This seems to me to be business lunacy. I do not wish to be taken prisoner … especially if there is a choice.
A very outdated concept in these times.
And strange for a company that has always put the needs of its customers first… looks good on paper I’m sure but it’s a dictatorship no?