Jacob Rosenberg
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ANother feature that wasn’t mentioned was the new Timecode filter, that finally allows you to add timecode overlays to videos and timelines.
jacob
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ProVTR was integrated with 2.0 for this version, so you do not have to buy the plug in, however you do need a compatible cable (adenda, rosetta, or Pipeline digital).
jacob
http://www.premiereprotraining.com
http://www.formikafilms.com
http://www.d2gfilm.com -
Based on the testing criteria, I know for a fact that the 32 bit is real for a number of the effects, not all of them. HOpefully more third party folks will take advantage of it. I can;’t wait for your stuff with 2.0 pierre.
Jacob
http://www.premiereprotraining.com
http://www.formikafilms.com
http://www.d2gfilm.com -
You can’t capture un-muxed stereo, but you can change the mapping of the audio so that a stereo clips drops into the timeline as two mono clips on top of each other. The new feature is called Source Channel Mappings and it can be assigned a keyboard shortcut to get to the dialog. In the dialog, you can change the source mapping of any audio file to make a stereo file recognized as two mono files (it looks the same in the project panel) or you can turn off one or more of the tracks and have a stereo file recognized as left channel mono only.
jacob
http://www.premiereprotraining.com
http://www.formikafilms.com
http://www.d2gfilm.com -
Premiere Pro 2.0 Studio Techniques is almost there.
It has been completely revised in the new version. Some chapters are the same lessons, but done in 2.0 and a lot of new chapters too, lots of content on the dvd as well.
jrhttp://www.premiereprotraining.com
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[Jason J Rodriguez] “1) Is this limited to YUV (like FCP, which is only 8-bit in RGB) or RGB effects, or can it handle both color-spaces internally at that bit-depth?
Premiere Pro’s native HD/SD/HDV and DV codecs are all YUV based. Their new HD and SD formats are 8 bit and 10 bit. Black Magic has 444 10 bit RGB support with it’s hardware and that processes in 10 bit with a majority of Premiere Pro’s effects.
2) Is *any* effect processed at 32-bits internally, or are only some effects supporting of deep-pixel processing? If so, does that mean when I drop a dissolve, or some simple effect, that it will dumb my footage back down to 8-bit internal processing, or will it still process those types of effects at 32-bit?
Not every effect is processed at 32bits. You might be able to request a list from Tech Support. I have a list in one of the chapters of my new book. If you are working with 8 bit footage, the processing of the effect applied to the footage would calculate in float (with most effect processing at 32bits). Most effects support float. If you have 10 bit footage, the dissolve will calculate in float and apply at 10bit, same goes with most effects.
3) If I import a 16-bit image, can I, like in After Effects right now, add an effect and still maintain the 16-bit properties of that image after export to a deep-pixel format that supports 16-bits (i.e., 16-bit TIFF, PSD, etc.)?”
Yes, as long as it is a high bit depth supported effect and again you would want to refer to a list, suffice to say most if not all the color corrections effects process and apply at higher bit depths.
jacob
http://www.premiereprotraining.com
http://www.formikafilms.com
http://www.d2gfilm.com -
If I don’t reply on the cow (I am quite busy right now, but wanted to be active today), you can always email me a question or two and you can find my email on my site: http://www.formikafilms.com
my book(s) and training might answer questions too 😉
jacob
http://www.premiereprotraining.com
http://www.formikafilms.com
http://www.d2gfilm.com -
Premiere Pro natively displays DropFrame, however if the clip was captured DVCAM NonDrop or is Standard Def Non Drop, premiere pro knows that it is Non Drop, but will display the dropframe equivalent. In 2.0 you can turn on a check box so if the clip is Non Drop in a Dropframe project, it always displays NonDrop. If the timecode is NonDrop premiere will tag the file accordingly and you can verify that by looking at it in the project window (now panel).
jacob
if you have an edl you want me to check, you can email it to me and i’d be happy to look at it.http://www.premiereprotraining.com
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I understand. You would want to basically, batch trim individual timelines on a case by case basis to reduce the overall project size and clutter. That’s a great feature.
The media management thing is tough and I can’t really say too much, but suffice to say that there was a lot of rallying and as is typically the case, not enough time. It remains very high on the list.jacob
http://www.premiereprotraining.com
http://www.formikafilms.com
http://www.d2gfilm.com -
Yes. Nested sequences will reference source material in their timecode dropness.
jacobhttp://www.premiereprotraining.com
http://www.formikafilms.com
http://www.d2gfilm.com