Jaap Verdenius
Forum Replies Created
-
You are not the only one who could never figure out how to handle FCP’s compression plugins.
I use WaveArts’ FinalPlug plugin, it works very well.
Alternately you could take your audio to Soundtrack Pro -
Hi Chris,
I changed to another system disk (an HD instead of an SSD) and now the problem vanished, so that makes it not a Decklink issue, unless there is a reason why the Decklink would behave differently with a SSD instead of a HD.
Could a SSD be too fast for some action related to AV output?
(OK, I know this sounds ridiculous but… well, you never know)Thanks,
Jaap
-
The drama is in the EOL. Without it, most editors would have been curious and look forward to the day that FCX would catch up with FCP.
I think there was no need for drama. Can’t companies like Apple afford to develop two editing applications simultaneously?
Look at Autodesk keeping three 3D packages alive that do the same thing (3D Studio Max, Maya, Softimage), slowly merging three customer groups. Apple could have done the same. -
No interlace monitoring means you really can’t deliver to a broadcaster.
So… not useable, I’d say. -
The system is really well maintained, please believe me…
Anyway: Replacing the Animation clips with ProRes 4444 seems to have solved the issue.
I wondered if the data rate (50 MB/s) of the Animation would have anything to do with it – I have used Animation clips in SD sequences with mixed codecs for years and never had a problem.
-
When I change the opacity the image turns into solid green.
-
No I didn’t make up my mind, I already had 4444 files delivered and they gave me that problem, that’s why I asked for Animation. But I guess I could try to make 4444 myself, perhaps the problem had nothing to do the codec. Will let you know.
-
I know, but if I change the opacity of a ProRes4444 clip in a 422 timeline it doesn’t work properly, am I right?
-
I could try that – If I would transcode the Animation graphics to ProRes, what would be the best way to deal with the alpha channel?