Forum Replies Created

Viewing 1 - 10 of 27 posts
  • Hampus Lager

    April 9, 2013 at 8:39 pm

    maybe… first step is to make sure that all videos start and stop at the same place. then rename the new files to match the old ones, that’s how the transition works when you move the original files and put the new files into the original folder. then hope stuff like frame rate and timecode match, then it would def work. did this with proxies in premiere.

    if you have imported the files using “copy to fcp folder”, then you gotta get rid of those and relink to the originals (now the new files) to copy them again to an event.

  • Hampus Lager

    April 3, 2013 at 9:43 pm

    yes, no answer yet.

  • Hampus Lager

    March 31, 2013 at 7:10 pm

    I have the Intensity Extreme for my MBP and Decklink Studio for Mac Pro and I have to go to the BMD settings in systems preferences to change the correct output for FCPX.

  • Hampus Lager

    December 26, 2012 at 8:46 pm

    It’s hard to say when you don’t know the details. Speaking as an editor for a recently founded production company by a music producer who wants to break into the business I’m always fighting to not hand over the AAF for the audio until the cut is done. The moment the rough cut v1.1 is done he wants the audio, but I try to tell him it’s not done, the timing is going to change.

    This happens on almost every project with a strict deadline and my colleague who does all the audio mixing is pissed at our boss as well, because it’s extra hours we (mostly him) don’t get paid for (small company = fixed budgets).

    Once it was the other way around and I learned that the hard way when editing a concert to unmixed audio and later after locking the edit and grading it I watched it with the real mix and find out the’ve done loads over dubbing in the studio and I had to open up the project, re-edit and do the grading again.

    But the guy should at least have asked the director, I would have loved to get a little creative on my own and cut it down in length and give you VFX people a head start if that’s what you wanted.

  • Hampus Lager

    November 19, 2012 at 9:25 pm

    I know the feeling, Tim xD

  • Hampus Lager

    August 10, 2012 at 11:08 pm

    Very quick on Mountain Lion! I upgraded my academic license today and downloaded Mountain Lion. Will install tomorrow.

    Came at the right time too, new school year soon. The new students will get new v6 licenses and MBPs delivered with Mountain Lion. Feels good to update our current machines so they all match.

  • Hampus Lager

    June 11, 2012 at 10:44 pm

    That or we need to ask Adobe, Avid, Black Magic and everyone else for Linux support!

  • Hampus Lager

    April 16, 2012 at 10:29 pm

    Why do they to? Most people use Canon or Nikon mount lenses and there’ll be plenty of adapter for this. Bigger sensor? get a used 5D mkII 😛

  • Hampus Lager

    March 1, 2012 at 12:52 am

    I got mine today at work! Works perfectly on Snow Leopard 10.6.8 with CS5.5 and Davinci Resolve Lite. Will be testing it with Scopebox soon too since I don’t own an Ultrascope. Can’t test with Media Composer yet since we’re not updating until summer (school).

  • Hampus Lager

    February 21, 2012 at 9:39 pm

    I ordered one yesterday from Protel in Sweden and they said two weeks. Never had any issues with them, so I take their word for it.

Viewing 1 - 10 of 27 posts

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