[Grinner Hester]

Time Warp is yer buddy. Thrw it on there, open the effect pallet, set your keyframes then select what render ya want. PLay around with each of those to see the varying results.

[Grinner Hester]

Slow editors are unemployed editors.

[Grinner Hester]

All of us do. It’s not about legalities. Ya get what ya pay for. It’s important to keep creatives happy. A fella can dig a ditch and be mad about it. One can’t make good art when not motivated. Don’t pay OT and you’ll see em split after their shift is done.
…or half ass it while cussing you.

[Grinner Hester]

Of course, you’ll drive by your external scopes. Today, a swing by Sam’s or Best Buy will hook you up with monitors… hence that old CRT collecting dust 😉
You didn’t mention what kind of break out box you’re running.

[Grinner Hester]

Your manual id free at this point. Go through it and challenge yourself.

[Grinner Hester]

Pick your favorite. Opinions and needs vary way too much for anyone here to tell you to buy a RED scarlet or a D5 with audio goodies.
I have an old FX1 and it bills to this day. None of my clients ask model numbers. I buy based upon my needs.

[Grinner Hester]

If you always wait, you’ll never buy.

[Grinner Hester]

Pick your favorite. There isn’t a best.

[Grinner Hester]

I bill by the hour. If meetings are involved I do charge for them. I don’t charge extra for pretending to be awake. That’s what shades are for.

[Grinner Hester]

It really is that simple.