Forum Replies Created

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  • thank ya brother. As Garth in Wayne’s World put it… I like to play. 🙂

  • I like to cut out key principals and properties and scale them separately… while adding rack focus to the background. Makes kind of a 3D vibe and adds intrest in a piece that is otherwise just flat stills. You can use the back ground on another layer and blur it to fill the screen. Here are 3 quick examples:
    https://www.youtube.com/watch?v=3YuegOOHghI&list=UU0kFyIfPRENNTJIxEI8pqzQ

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  • Grinner Hester

    October 22, 2014 at 6:50 pm in reply to: Renders cause white flickering Premiere Pro CC2014

    I ran into this yesterday in CC 2014. It’s the many preview files so if you throw an adjustment layer on top and just render that as one you should be ok (after deleting the old render files)

  • Grinner Hester

    October 22, 2014 at 6:48 pm in reply to: Trouble with layered PSDs in Premiere Pro CC

    Hi, Mike.
    Yes, png files will be better. Sometimes that can be a pain, depending how many layers you are working with but much more stable than psd files and png files treat shadows and vignetts much better than files than require the creation of alpha channels. PNG files just have them automatically. Just turn on one layer at a time and export each layer as a png

  • Grinner Hester

    October 22, 2014 at 6:05 pm in reply to: LUTs

    Most powerful. I am addicted now.
    Playing with them in Premiere right now with animated feathered masks.

  • Grinner Hester

    October 20, 2014 at 2:02 pm in reply to: Shooting with Mixed Frame Rates/Shutter Speeds?

    Yes they will look different and yes there are things you can do about that.
    Lay out your timeline. Whichever one you used the most (or the look you prefer) just mimmick it with effects on the other footage. If you see a stop difference between the two apply a fix to compensate. You’ll be grading everything anyway, I assume. What you will probably see most in difference though is the playback itself. The 24p vs 25p. THere are several ways to attack this. Me? I’d try a simple fit to fill on it all, re=rendering it’s playback to fit the timeline’s settings. I don’t know what you are editing in so this may vary. It may be as easy as reducing flicker, changing the field order, ect.

  • Grinner Hester

    September 30, 2014 at 7:05 am in reply to: at sea

    gotta wait for the video…. 🙂 lets just say daddy went swimming with the camera

  • Grinner Hester

    September 30, 2014 at 12:43 am in reply to: In over my head complicated tilt shift workflow

    aint gonna lie. Couldnt read all of your post. Lotsa words man.
    Just remember, life aint tough man. If you stand against a morning with this is what I do… freakin A. If you dont… man go get a job cuz this aint for you

  • Grinner Hester

    August 25, 2014 at 4:24 pm in reply to: good London based editing courses

    really today, I think Lynda.com along with proper internships is your best hands-on alternative. Free too.

    The more you an do in real world scenarios and not classrooms the better. PLus, often in school they often give you rules… telling you what NOT to do when those very things could be what set you apart from others later. Go ahead and learn the rules though. It’s the best way to break them.

  • Just fewer options. More track limitations, no animatte, things like that.

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