Forum Replies Created

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  • Graham Bernard

    February 6, 2012 at 3:28 am in reply to: Vegas capture issue

    “This is why I shoot on cards.”

    What has this to do with your issue on T/C? If your battery needs replacing, for Time Date, how does using cards alter the need for having a fresh system battery?

    I’m lost now.

    Grazie

  • Graham Bernard

    February 6, 2012 at 3:19 am in reply to: Your Largest Vegas Project File Size?

    I haven’t. There again I’ve not come across any reference relating to your “wondering” either, and I’ve been using Vegas for 10 years. However, I’m always willing to learn.

    More to the point, why are you “wondering”?

    Grazie

  • Graham Bernard

    February 4, 2012 at 8:49 am in reply to: Burn in timecode using Vegas scripts

    Well, Larry, it would have been BUG-nuked to death by then!

    As to it being “better”, as a comparison to VP521, I don’t agree. VP11 is going, eventually, to be the way forward. Once the BUGs are squished, we are ALL going to benefit from the improved blue-water experience of better framerates and having 3rd party OFX developers being able to create gorgeous FX options – I kid-you-NOT!

    VP11 is only a peak or even a nod to what I believe SCS has planned. Us being the foot soldiers of this long term campaign can be exciting, presently it is mostly frustrating. But hey, good things sometimes are hard to grab, but when they do . . . woah!!!!!

    Do I want VP11 to work better for me? Bet your sweet Pippy!

    I’ve been hacking my business for 10 years with one flavour of Vegas or another, and at every “bleeding-edge” change Vegas has blown me away – driven me nutz sometimes too – but being part of this journey has had its major awards, for me at least.

    I can’t forget the ease of the 3-Colour Wheel coming out in VV6(?), or my gasp at the working Media Manager, or the ease at which I could do stuff.

    Cheers

    Grazie

    ps: Did I say I like Vegas?

  • Graham Bernard

    February 4, 2012 at 8:28 am in reply to: Entire area above tracks is pink

    2 things going on here – nothing to do with the sizing.

    1] You have your Timeline set to Bottom of the Screen

    AND

    2] You don’t have any Control Panes added to that Pink “Docking Area” which IS the Default Docking area – it is ready to receive some controls, like Project Media Pane, or Trimmer or . . whatever.

    Grazie

  • Graham Bernard

    February 4, 2012 at 8:08 am in reply to: Burn in timecode using Vegas scripts

    It was using the Script, as per your method.

    YUP!!! Reproed at last in VP11B521! – I’d call it an invertebrate – BUG – in the VP11 Script or maybe something even more fundamental(?).

    Good stuff Larry. And another good reason to carry on editing in VP10e, then?

    Cheers

    Grazie

  • Graham Bernard

    February 4, 2012 at 8:02 am in reply to: Burn in timecode using Vegas scripts

    Just to be thorough, here is a screen grab of the Timeline T/C Cursor Position “55 . . . . ” and the Reding from the MEdia T/C MPTE Drop “00:0014;xx”:-

    Cheers

    Grazie

  • Graham Bernard

    February 4, 2012 at 7:53 am in reply to: Burn in timecode using Vegas scripts

    I’ve just used it and it is appearing in my bottom right hand corner:

    Any good? Dunno why yours is in the Middle of the screen?

    Grazie

  • Graham Bernard

    February 4, 2012 at 6:53 am in reply to: Burn in timecode using Vegas scripts

    Er?

    “not smpte tape timecode”

    Then what is the SMPTE t/c referring to as an option in the drop down menu? Isn’t that what you’re after?

    Grazie

  • Graham Bernard

    January 31, 2012 at 4:52 am in reply to: Importing Canon XMF Files

    Yeah, total pain.

    I have a Canon XF300. It produces XMF files. The Canon came with a Utility that allows me to export aggregated XMF files to a single folder. I then drag these files to the Project Media pane and off I go.

    That’s one way.

    Another way I use is the SONY Media Manager. This is good as I can again aggregate/collect any XMF files and prior to importing into the Project Media pane I can audition the clips and them organise clips into a more of a logical, pre edit, narrative.

    There is yet another way, which I haven’t tried yet, and that us to use the SONY XDCAM Utility. Haven’t gone down this route.

    Ok, for me, apart from XDCAM, these are working for me. Here is one major caveat you need to be aware of. I use CF cards. CF cards are only formatted in fat32. This means that long form takes are clamped to chained 2gb file sizes. Anything over 2gb and you get chains of files. Drag an hour lecture onto the timeline you’ve got several files. Depending on the bitrate, you’ll have more or less. I’ve needed to render these chains to a further XMF to go ahead with multicam! If I didn’t I’d have ended up with a bowl of spaghetti.

    So, several ways to deal with my Canon output. Standard Definition, tape based file management it ain’t.

    If I do sound weary about this, it’s true. Clip naming and chaining are just two of the silllinesses I’d have thought we’d got down and dusted, by now, being in the 21st Century?

    Grazie

  • Graham Bernard

    January 31, 2012 at 4:34 am in reply to: Annoying Cut-Offs

    It appears you have a mismatch of pixel aspect ratio [PAR] going on somewhere in your workflow. You could also have a PanCrop control in effect.

    Check to make sure your Project settings match your Media being used. If you are rendering to a template, make sure you have the fill letterbox filled checked.

    There are many places where you could be achieving this result.

    I’m sure others will chip in here and offer help.

    Grazie

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