Roger, I think you are becoming more and more aware just what extremis you are putting yourself under; why one mic is notionally refereed as the same as another (omnis); why recordings are made inside a Studio with all those controls; why sound crews exist, if only to hold a Boom with a shottie on it; why cardioid exist and for what purpose; why sound design is so very important, and especially here with your soft voice concentrating on putting across your art.
Look, you are wanting your viewers to get that immersive and authentic and immediacy from what you are doing: Here’s a thought, how about your own voice-overs and breaking away from that just when you want to share a rather dramatic or even sensitive point in your work? If wind noise for a face mic is a show stopper then think towards the viewer. A Voice over does really spell out “professional”! Besides which you can add further detailed narrative. We know you are being filmed in situ, however we can accept, and more than that, your dulcet tones explaining your Art! Used at the most crucial point, it can be truly stunning.
Here’s another thought, do actually “know” if people find the wind noise inappropriate or detracting?
If you can get a mic solution, then good for you. It would be a sweet solution.
Cheers
Grazie
Video Content Creator and Potter
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