[Glenn Grant]

Nice find Daniel.

Considering the SAN solution that John Davidson and Bob Zelin just shared, this could really be something.

If you can set up a 10GB LAN using only TB and be able to share projects, That would be perfect for a small shop like mine with three seats and an mac mini server.

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[Glenn Grant]

[Oliver Peters] “Sadly no. I’m editing that project with proxy clips generated from RED camera files. These were exported from Redcine X Pro. It can superimpose the clip name and TC as burn-ins in the rendered file.”

Boy I was all excited when I saw that. Oh well, maybe with 10.1

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[Glenn Grant]

Hi Oliver,

Is the time code info you have in the viewer all from the Timecode generator or is there another way to display the timecode and clip info?

Cheers,
Glenn

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[Glenn Grant]

I tried to open a .mts file from an AVCHD camera folder and QuickTime wouldn’t open it.

But when I insert and SD card it sees the “private” folder and lets you open it with QuickTime to view the videos. But this doesn’t seem to work with archived folders.

[Glenn Grant]

Hi Tony,

I love the work flow you just described, I only wish it actually worked. I have been playing around with X on a few small projects and it is great. Fast edits and great for sorting media.

So I decided to give X a try with a three camera shoot of a live event with mixed formats. The Multicam worked pretty good, but I still had to go in and adjust a few shots. The further into the project I got, the more beach balls and the slower the system got. Try adding subtitles to a one hour multi cam project and the lag time is crazy. In the end, I just exported what I could, and finished it in FCP7

The sad thing is there are a lot of things to like about X and for some projects, it is the right tool to use. When I am working with 7 I find myself wishing certain things were more like X. In my experience, the workflow you described would end up in a train wreck with X.

I do have hope for X with one or two more updates.

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[Glenn Grant]

Hi Mark,

What model Axis web cam did you use? I have a client that wants to do a four day outdoors time lapse and I am trying to figure out what my best option would be.

Thanks,
Glenn

[Glenn Grant]

Thanks Mark, I appreciate your help.

I have been reading the manual, though not cover to cover. And I have a gone through two of Ripple Training’s series. There is a lot of new and different stuff and some of it takes a lot to sink in.

Hey, I just figured out how to get ride of my Legacy Name!

[Glenn Grant]

I figured out I can do it in the inspector window. It sure seems like there would be a more efficient way of doing it.

Cheers.

Hey, I just figured out how to get ride of my Legacy Name!

[Glenn Grant]

Thanks Mark, the “open in timeline” was what I was missing.

Now as far as riding the levels, what are the options for doing that? All I can figure out is how to adjust the entire track or use the range tool to select an area. Is there an easier way to bring down a track at a certain point, have it stay there and then bring it back up when I need it.

Cheers,
Glenn

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[Glenn Grant]

Well Audio isn’t my strong suite, so it might be more than one frame, but it is noticeable. If I adjust the cuts to happen during a pause, then you can’t tell. The same file plays fine outside of the multi-cam clip. I even tried some J and L cuts with the some shots and that plays through fine. It’s just the multi-cam clips. I am just wondering if anyone else had the same problem?

I am going to be working on some short interviews later today or tomorrow so I will see if I have the same problem.

Hey, I just figured out how to get ride of my Legacy Name!