[Bill Davis] “I respect your opinion, but it’s an increasingly uncommon one.”
Not in my world. I routinely see “Final Cut Pro experience requires (NOT X)” and hear similar things dismissive of it. I do believe it is rather unfair as FCPX has come a long way since its debut, but I still see no reason to switch back to an NLE that ties my entirely into the OSX ecosystem with little tangible benefit over my current setup with Premiere CS6.
[Bill Davis] “”take away” is that it’s possible to use FCP-X for high-level broadcast work if you’re willing and flexible enough to adapt to how it operates.”
Back to my original point, I routinely see “flexible” as involving workarounds and “tricks” in order to make FCPX “behave”. I have no interest in tricking the NLE to work the way I need it to.
I wouldn’t be surprised if there’s a lot of going from FCP7 to FCPX, with no in-depth investigation of Premiere CS6 or AVID or Vegas Edius or any of the others. I guess that would make FCPX seem far more interesting than it actually is when comparing directly with FCP7. I have worked with FCP7 and Premiere since version 5 (non pro) and Vegas up to version 8 and a bit of FCPX. Premiere CS6 does what I need, and I enjoy editing in it, and nothing I’ve played with in FCPX or seen from the updates gives me any desire to switch.