Gary Alan
Forum Replies Created
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I am getting my Canon RAW files (not MLV)to go straight into PPro CC. It plays back at full speed/ full quality and allows any further post adjustments. This seems to work because I have PPro CC version 7.0. You cannot “Import” these files, you have to use the Windows Explorer to drag and drop them in or use the PPro CC Media Browser. It’s also possible this is happening because I have the Ginger HDR plugin installed.
Adobe did something in the Update to version 7.1 that made it stop working like this. We will eventually need all of this to work with the Magic Lantern MLV raw file system and for every PPro CC update. If it worked before (I just tried it now and it still works), then what’s the problem and the hold up?
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Thank you, David
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has the problems with importing DNG sequences from Magic Lantern files been fixed yet?
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David,
Please share the new instructions for the problems you found. -
I also have the Lagarith Lossless codec installed and that seems ok. I don’t use previews on final output render, so it shouldn’t make too much difference. But it would be good to preview the quality as it will be on final output render.
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I am on windows 7 PC with PPro CC. I used to see DM show up in the Preview setup, but after installing the Aja codecs, the BM stop showing up?
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I made a bet with my assistant that someone on here knows the answer to my question.
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The best way is to get a Sony Betacam SP player or recorder and use the Component Betacam outputs. NOT the composite output. Probably any I/O box that has Betacam component inputs will do a good job. Like Black Magic, Aja and Matrox. You will need three identical length BNC video cables to hook them up. Plug them all into the correct connectors. Such as Y to Y, B-Y to B-Y and R-Y to R-Y. Babysit putting in the tapes one at a time and sit back while the computer records the tapes in real time. You don’t need any tape control. Meaning you can just manually start the tape playing and the software app to record on the computer. If you think you will need to reference the tapes again in the future to recapture some footage (I don’t know why since you can easily make copies of the digital files as backups), then set it up to use the timecode off the tapes to be used in capturing and to label and keep track of reel/tape numbers. I don’t know about Thunderbolt for the I/O. Maybe someone else can help with that. Also, there may be other ways and decks to use, but IMO, I this is the best and how I would do it.
Have fun,
Gary -
Per, does this help? I have not watched it yet.
Gary
https://vimeo.com/54754773 -
I just tried Mercalli Pro 2 plugins and standalone and I like it. The plugin version is nice in PPro and AE. It’s fast. I was getting between 30 and 50 fps.
Gary