[Gabriele Turchi]

i had that issue in the past ,

the Optimize database function solved the issue

g

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX470
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma
Ultrascope

[Gabriele Turchi]

thanks a lot tim

off course i am not sure if you can divide it in Pro as well …but that would be great …

point is here there are 100’s of post of beginners that are really not using the search button , same question asked 3 times in a week … and mostly generic hardware question …so bugs and real workflow discussion gets buried in this plethora of posts …

thanks a lot

g

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX470
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma
Ultrascope

[Gabriele Turchi]

is anyone fro cretivecow considering this request ?

it’s getting really crazy the amount of posts that new user asks about very basic hardware setup or purchase …

checking this forum is becoming worthless for who is actually a colorist …there is 1 post related to the software every ten post …

g

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX470
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma
Ultrascope

[Gabriele Turchi]

tracking data is not tied to timecode ,

sounds to me on the second shot (that probably skipped few frames (continuity wise) your are adjusting the position of the power window , that , if done in global mode will offset the position of the power window globally ,

if you track only using dynamics will work no problem ,

or, track the shot in the master session , and you will find it tracked in the conform properly

g

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX470
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma
Ultrascope

[Gabriele Turchi]

my cubix crash once every couple of weeks ..

g

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX470
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma
Ultrascope

[Gabriele Turchi]

most likely you have the “highlight button ” turned on ,

if there is no key on the node , the highlight button show the shot in the way you describe

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX470
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma
Ultrascope

[Gabriele Turchi]

Having the possibility to Move the GUI in the second monitor (mainly for node tree and still store , or shots thumbnails etc… is one of my big hope for new release …)

as far as image , you want it to be out of a BMD card to avid OS icc color manipulation ..

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX285
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma

[Gabriele Turchi]

Peter don’t forget the huge list i sent you months ago … 🙂
That was ahead of time for V9 release … 🙂

Anyway , now that we are talking ,
i am not going to re-write Huge lists but quick priorities (the ones while working i miss the most often )

-OFX plugin Support (to implement maaaany features from 3rd party without stressing you about everything guys..)

-NEW GUI that use a second Monitor to accommodate (eventually( node tree and still store (so having space for bigger Curves and bigger Dynamics tab (or tabs that expand full screen with a click of a button (like adobe product (pressing ~ to expand and collapse))

-Better quality speed changes (so i can actually render out the XML conform)

-Skin Soften tool (mist is old ) and a nice soften tool can resolve quite few problems in terms of color-skin work

-color Temperature and Tint controls (it’s so easy when i use it the one in red SDK tab)

-Improved Keyer : better key refine tools (is a bit incredible how SMOKE can pull much cleaner color qualification )

-Save dynamics on Stills (based on TC values (so if the TC does not match (because apply the still color to a different shot , the dynamics gets discarded )

-R3D SDK settings version independent (i still vote for this one )

Off course i have many more , as anybody else , but this ones are the ones that i care the most .

Hope someone at BMD will agree on some of those .

thanks for listening

g

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX285
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma

[Gabriele Turchi]

hi david

i thought the GT/s number is listed in the graphic card tab (not PCI card)

i can see that my 470 are listed @ 5GT/s in system proprieties graphic card tab .. (the PCI tab on my system is not working at all because i have the cubix)
g

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX285
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma

[Gabriele Turchi]

Mike i 100% disagree with you (maybe for the first time 🙂

Resolve is a high end sophisticated Color grading Tool ,
Red/Epic/scarlet are the more commune used camera in the professional production (and ALEXA off course) (i work in NYC for broadcast commercials and and i get 50% RED , 45% Alexa , 5% others ( understand that for others could be different but i do believe that RED is for sure one of oct used )

New Redcolor science for a color work is supposed to be a Big Deal ,

Scratch implemented new SDK only after the SDK has been shipped to everybody (so no favors to assimilate from Red )

Off I agree that for a company is about priorities ,

but all i am doing is to give a testimony of my “market” that is 50% Red footage to deal with every day , and so new color science it does matter ,

than off course is put to them assign priorities

Davinci Resolve Control Surface
MacPro
Cubix desktop 4
2 Red Rockets
GTX470+GTX470+GTX285
24GB RAM
HP Dreamcolor
Panasonic 58PF Plasma