Forum Replies Created
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I guess doing a video mix down is the way to go then?
Frederic Lumiere
Producer
Lumiere Media -
[Michael Phillips] “Which filter are you referring to?
Any really. I select Name in the ‘Column’ drop box – enter a specific name and the results will return only hits with that name. Things probably have changed…
[Michael Phillips] “As far as making sequences into sources…export your rendered sequence (if needed) as a QT reference, and bring it back into your project as a new source….all bets are off for source metadata, EDLs, etc. if used as source in a new sequence. All you will have if filename of QT and whatever timecode the original sequence was at. “
I bring in footage already synced audio-wise with DualEyes, so the sequence is multiple clips comprising the whole interview. All the clips are now DnxHD175 X (the result of transcoding AMA’s H.264).
So when I create a QT reference, it exports the audio as AIFF and creates a 1Mb QT Reference file, which looks fine. When I bring it back in MC, it looks like it re-encodes the whole thing rather than fast importing like I would expect since it’s already DnxHD 175 X. Is there a way to bring it back without re-encoding?
Thanks for all your help Michael BTW!
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Thanks Michael,
Actually I just discovered that the filter (not the Search Current Bin) does work at the front end of the search. Since my naming convention is pretty good, I can search for the name of the character in addition to the PhraseFind search.
Do you know if there is a way to output a sequence as a ‘self contained’ DnxHd clip without re-transcoding? I think I’d like to output the 3 hour interviews as one clip for finding purposes…
Frederic Lumiere
Producer
Lumiere Media -
Frederic Lumiere
March 5, 2012 at 12:42 am in reply to: Easy way to keep track of successful transcodes after crash?Hey Michael,
Well the new transcodes .new02 to 28:1 SD (for offline) are made from DNxHD175x clips that already have the .new01.
I sorted by video format and color coded all the 28:1, then sorted by NAME and the ones with a color coded match are not to be transcoded…
Still, it’s a lot of manual selection on thousands of clips. Especially since the ones that got transcoded are all over the place.
I just wish I could select all, transcode and choose to skip the ones that have already been transcoded.
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Frederic Lumiere
March 4, 2012 at 7:57 pm in reply to: Taking a MC6 project offline for editing on the road?Thanks Jeff,
I get to select all from the Media Tool window but the transcode option isn’t available when right clicking…
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Frederic Lumiere
March 4, 2012 at 7:13 am in reply to: Taking a MC6 project offline for editing on the road?[Frederic Lumiere] “I see, I have to copy the audio manually to the new drive if I don’t need it converted… makes sense.”
Well actually, it doesn’t really make sense since all the files have an .mxf extension and I don’t know which are video and which are audio.
I guess I’ll just reconvert the audio for the proxies.
P.S. Now I’m talking to myself… :-0
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Frederic Lumiere
March 4, 2012 at 7:12 am in reply to: Taking a MC6 project offline for editing on the road?I see, I have to copy the audio manually to the new drive if I don’t need it converted… makes sense.
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Frederic Lumiere
March 4, 2012 at 7:10 am in reply to: Taking a MC6 project offline for editing on the road?But consolidate doesn’t give me the option to make proxies, only transcode does and when I choose transcode if I don’t check one of the convert audio check boxes, no audio moves over to the new drive.
I did check Video and audio on same drive(s)
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Frederic Lumiere
March 4, 2012 at 6:59 am in reply to: Taking a MC6 project offline for editing on the road?Also, unless I choose to convert the audio, it ignores audio. Anyway to keep the audio intact without having to reencode it?
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Frederic Lumiere
March 4, 2012 at 6:55 am in reply to: Taking a MC6 project offline for editing on the road?Perfect – thanks Juan!