Floh Peters
Forum Replies Created
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Hmmm, are you sure that these are the same audio files (meaning e.g. if you imported a Song on 2 different projects or on 2 different stations, there will be 2 copies of the media files on your drives). When media files don´t have the right “id”, which gets written from Media 100 on import, the application will not relink to them even when the name is right.
If these are the “right” media files, it could be that you have a bad media drive. Did you try running the hard drive check from DiskUtility?
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Yes, using the Inatek cards as well. Works fine, at least for HD data rates. If you want to edit 4k files, you should look at your data rate for the codec you want to use to see if this is possible with USB3. Maybe you need some striped drives or a RAID to achieve the necessary data rates.
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That sounds like a damaged Bin document. Seems like when reading the Bin file, the App reaches the end of the file while it still expects some more data. Do you have a backup copy of the bin? Depending on how it is set up, the Media 100 application does write Backups of Bins into the Users->Document folder.
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We have 2 Sonnett Echo Express SE II for 2 2013 Mac Pros, one with a LHe Plus, and one with a LHi. Both chassis also contain FibreChannel cards for our SAN. This setup works extremely reliable for us.
One thing you should be aware of with the chassis, though, is that they don´t accept full-length PCI express cards. The older Kona3 for example will not fit in there.
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Media 100 does support various 4k flavors, but not the DCI resolution. Media 100 supports 4096×2304 or 3840x 2160 (1920×1080 times 2) natively.
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Depends on where/how you encode for DVDs and what codec you use for your edit. I work most of the time in ProRes 422, and I export as Self contained when I am sure that I am only using ProRes in my timeline. If not, I do a QuickTime export to ProRes with 0-255 colorspace, which matches the ProRes description. This way all tools that can work with ProRes files (e.g. Compressor, Adobe Media Encoder,…) will deal with the right colorspace.
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The new MacPro is working great for me so far. I have seen some issues with XDCam Transfer which I have to investigate. But other than that, using a Sonnett Expansion Chassis and a Kona LHe+ in the current setup, everything is fine.
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I think you can import SRTs into Boris RED (e.g. as a title clip).
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Do you mean “Light Leaks” as recorded video clips that you want to overlay over video? Or is there a filter/transition named Light leaks?
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Most likely Producer is too old. Each Media 100 version has a OS version that is a base requirement, and most older versions have a “top” OS version that breaks something. Some versions cannot be installed on MacOS versions that are too new.
If you bought a recent iMac, it either comes with MacOSX 10.8.x or even 10.9.x; and you will need Media 100 Suite (that replaced Media 100 Producer) in its newest version. So maybe it is time for you to upgrade…