Eric Steinberg
Forum Replies Created
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I don’t know, but I’m guessing the light sensitivity of the ccd’s would be a factor..? Don’t know how to calculate what specs the HVX200 would have to have to accomplish this, maybe someone has a formula?
Kind regards,
Eric -
Thanks for all the tips, unfortunately I live in a pretty remote part of the world where the only so-called networking “experts” I have found only know how to deal with basic office networks, and nobody has dealt with video stuff. I’ve had people/companies try to set things up for me only to discover that they had no clue what they were doing. And there aren’t any other companies like mine nearby either where I can ask for set-up suggestions. That’s why I was hoping to maybe find some online case studies or concrete examples of how other small production houses have set stuff up, and then maybe I could find some possible ways to have it done.. even if it meant showing the people I hire the information I find (you know… telling them how to do their job ;-)).
Oldbuck, linksys.com looks interesting; I’ll see what I can find there, thanks!
Any other suggestions?
Kind regards,
Eric -
Thanks for your reply!
As I mentioned, some machines will have net access, some won’t.. but will have access to each other.. maybe..? There are lots of specific challenges to my setup, and I probably haven’t even considered all the different ways this could be set up since this is all pretty new to me. I’ve been working for years by myself with one workstation and one office machine. Now things are getting a little bigger, so I was hoping there was some website/book/forum specifically geared towards people who run a combination of video workstations they want to keep off the net, and office machines which will be on-line. Any suggestions to where I might learn more about this?
Kind regards,
Eric -
I guess my first question is why a 32K sample rate?
Well, the reason for the sample rate is that these particular files originated on a cheap portable harddisk recorder (“Zoom”), and 32K is the highest sample rate it will do. These are voice-recordings which are going to end up as telephone on-hold messages, and for telephone quality 32K is plenty. I am converting to mp3 to limit the filesize, since these files are being sent as email attachments. I normally work with video and use 48K, but this is a special case where I am helping someone else who just lost their PC.
I would check the software defaults
Sorry to be so ignorant, but which software defaults are you referring to? I still don’t understand why Audition tells me the mp3 files are 32K, and other programs tell me they are 16K?
Kind regards,
Eric -
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I don’t know if it’s different in Europe, but a reseller in Norway told me that they had been told that release was postponed till March… 🙁
Kind regards,
Eric -
I myself am pretty weak on expressions, but this is one I wish I had time to get into:
Kind regards,
Eric -
I myself am pretty weak on expressions, but this is one I wish I had time to get into:
Kind regards,
Eric -
You may not need an expression depending on how your animation is set up. You should be able to select your arrow, then in the menu click Layer > transform > auto-orient > Orient along path.
Kind regards,
Eric -
You may not need an expression depending on how your animation is set up. You should be able to select your arrow, then in the menu click Layer > transform > auto-orient > Orient along path.
Kind regards,
Eric