Forum Replies Created

Page 113 of 127
  • Ed Dooley

    September 17, 2005 at 5:12 pm in reply to: can you remove an echo from audio in FCPHD

    More importantly, how do we remove this repeating echo of posts from you. 🙂

    Go into Audio filters/FCP Filters, that’s where things like Expander/Noise Gate are. Try typing Noise gate
    in the help section, it’s all there.
    Ed

  • Ed Dooley

    September 15, 2005 at 9:08 pm in reply to: I need to Hire FCP in London

    Don’t know for sure but Jemima from the IMUG list is a FCP editor in London, maybe she can help.
    Ask her about Chris Davies, I think he’s there too.
    Ed

    jem@jemimaharrison.co.uk

  • Ed Dooley

    September 14, 2005 at 11:10 pm in reply to: Countdown before commercial

    The local affiliates here in Vermont asked me for a countdown recently.
    Ed

  • Ed Dooley

    September 14, 2005 at 8:11 pm in reply to: Split personality

    Doh! I knew that (but should have remembered, thanks Bret)!
    But, rendering out an AE project as RGB Animation, rather than into the YUV codec it will be used for, is
    the best way? It seemed that rendering out directly from AE into the proper codec gains better
    results than going from AE in RGB to Animation (in RGB), *then* into YUV in your favorite flavor
    in FCP. Still pleading some ignorance here. 🙂
    Ed

  • Ed Dooley

    September 14, 2005 at 2:50 pm in reply to: Split personality

    Hey Jerry,
    I’m speaking with some ignorance here, so please bear with me. Isn’t the Animation codec RGB, so you’d be taking the YUV video, converting it to
    RGB, then back to YUV in FCP? In my Media 100 days I always used the Animation codec because it kept the quality of Uncompressed, but at a much smaller size, but I thought I’ve read that you can run into color issues with the color space changing from YUV to RGB to YUV.
    Is it possible to install a more appropriate codec from AJA or Blackmagic onto the PC (like DV50 or Uncompressed 8bit), so the AE files can be input
    in FCP without changing color space (assuming that codec is also installed on the Mac)?
    Ed

    [Jerry Hofmann] “Shouldn’t need to do anything special with Photoshop files, however the AE files may present some challenges. You’ll need to export self contained QuickTime movies from AE so they will work with FCP on the laptop. An anamation codec and uncompressed QuickTime should do the job I’d think, but you’ll have to render them in FCP probably.

  • Ed Dooley

    September 14, 2005 at 1:51 pm in reply to: Doh!

    I’m treading on thin ice here, because my only experience is in wanting to capture audio *after* logging just video,
    but *before* capturing*. The way I suggested seems so easy. There may be easier ways, but unless the already
    captured video was tweaked during capture and you want to preserve those settings, I would select all the video clips you’ve already captured,
    and that you want audio for, and make them off-line (delete them from the drive), recapture, but choose audio *and* video in the clip settings,
    and de-select the Use Logged Clip Settings box. It will redigitize the video, and digitize the audio with it. It won’t take any longer than if
    you digitize the audio only (it’s going through the same TC).
    Ed

  • Ed Dooley

    September 13, 2005 at 10:02 pm in reply to: laptop editing choice: Premiere Pro or FCP

    Thanks Mat, thanks Mat, thanks Mat.
    Ed

  • Ed Dooley

    September 13, 2005 at 8:49 pm in reply to: Doh!

    It’s pretty easy since you haven’t captured yet. In the batch capture window there’s a checkbox “Use Logged Clip Settings”. If you de-select that box, and set the log & capture seting to Audio & video, it will Capture based on your new setting, by-passing the logged setting.
    Ed

    [kevin] “I accidentally logged all my clips to be captured (betacam SP). Captured them and then relized I captured only the video and not the audio as well.
    How do I RECAPURE with video and audio? In the batchcapture window I don’t see how/where to change the original capture settings?
    Or do I have to start over?

  • Ed Dooley

    September 13, 2005 at 3:10 pm in reply to: optimum data rates for 320×240 progressive downloads

    We generally look at the slow DSL speed (384Kb) as the lowest common denominator. Adjusting for
    innefficiency in the DSL, we use 300Kb for 320×240 material (with a higher rate for larger material).
    We used to care about dial-up people, but now we ignore them. 🙂
    Ed

  • Ed Dooley

    September 13, 2005 at 3:05 pm in reply to: laptop editing choice: Premiere Pro or FCP

    You’re right Bob, the manual does say something about that. I think, though, that it goes on to suggest
    the LaCie FW800 card if you are going to do it. I have a 17″ PB 1.5G with a LaCie FW card and an IO LA, and
    it works great. No problems whatsoever. I use a FW case with an Oxford 912 chip for 2 drives striped RAID 0.
    When we moved from M100 to FCP, the decision was based on what desktop NLE we wanted to use, and then
    the portable system decision was easy. 🙂
    Ed

    [Bob Cole] “The AJA Io manual says “FireWire drive solutions arenot supported in use with AJA Io.”

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