Eddie Lotter
Forum Replies Created
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[John Kis] “difference matte […] this is the perfect tool to use”
It would be if the background were perfectly the same in each frame. Unfortunately, modern compression schemes are enough to make each frame appear sufficiently different that it renders the tool useless.
I agree with the others, rotoscoping in a special-effects package is the only way to go.
Cheers
Eddie -
Eddie Lotter
March 30, 2009 at 2:34 pm in reply to: What settings to import HDV in CS4? I don’t see a Project setting or a Capture setting.See: FAQ:What are the limitations of the trial version?
Cheers
EddiePremiereProPedia (RSS feed)
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– Over 300 free tutorials
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Eddie -
Eddie Lotter
March 30, 2009 at 2:33 pm in reply to: Is there still a tool to drag the entire project (all audio & video tracks) along the timeline?See “Ripple Edit” in the Premiere Pro Help for instructions.
You will also find links to many free tutorials in the PremiereProPedia that will quickly show you how things are done in Premiere Pro.
Cheers
EddiePremiereProPedia (RSS feed)
– Over 350 frequently answered questions
– Over 300 free tutorials
– Maintained by editors like youForum FAQ Cheers
Eddie -
1. What codecs are used in the two source clips that participate in the transition?
2. How many handles have you created at the end of the first clip and at the beginning of the second clip?
Cheers
Eddie -
Eddie Lotter
March 30, 2009 at 4:38 am in reply to: Premiere Pro CS4 – AME – exporting quality issues[David Dobson] “They fixed that in 4.0.2?”
I believe so, but to be honest I have not tested it. I don’t use QuickTime.
Cheers
Eddie -
Eddie Lotter
March 29, 2009 at 8:52 pm in reply to: Premiere Pro CS4 – AME – exporting quality issues[David Dobson] “AME doesn’t like quicktime.”
Who does? 😛
Actually, the changes are not ignored, they are not saved in the queue. You should revisit the settings in the AME interface and set them the way you want and then start the queue.
Alternatively you can apply the 4.0.2 update to AME.Cheers
Eddie -
[Ricardo Lacombe] “Could it be that it is because my soundcard only outputs 5.1 via SPDIF output?”
That might be a problem, but user Redgum seems to think it can be done.
Cheers
Eddie -
[Ricardo Lacombe] “1) Why would my original mono wavs not drag onto 5.1 tracks in timeline.”
See: FAQ:Why won’t my audio clip go to the track I want it to?
[Ricardo Lacombe] “2) Why wont Premiere play through rear speakers.”
Chances are good you have not configured PPro to tell it which tracks go to which speakers.
You need to use the Audio channel icons to Map sequence audio channels to audio device hardware channels.
Cheers
Eddie -
[robert william] “do you know any other format that fits adobe”
See: File formats supported for import in the Premiere Pro Help.
Although WMA is listed as supported, it is a highly compressed format not suitable for editing. Rather convert it to WAV if you’re on the Windows platform.
Cheers
Eddie -
Eddie Lotter
March 29, 2009 at 4:52 pm in reply to: Changing the general project settings from 16:9 to 4:3