Dustin Parsons
Forum Replies Created
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Thanks Kalle. I keep getting an error message “This project contains an expression error”
I’m not sure what the problem is, can you double check the expression?
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I’d suggest using either the Null or the Camera for all moment – don’t keyframe both the Null and the Camera, this will complicate your moves. If you have the Camera parented to the Null and the Null is keyframed throughout the scene and you change the position of the Camera then it will still follow the Null but it’s relative position to the Null will be different. I’m assuming this is what’s happening in your scene.
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That shouldn’t happen unless you have all the camera’s keyframes selected before changing the position of the camera. If you don’t have any keyframes selected the new camera position should not interfere with any of the others.
The interpolation of the keyframes wouldn’t affect this:
- Spacial interpolation determines with whether the camera moves in a straight light or curved line from one keyframe to another
- Temporal interpolation determines what speed the camera moves at from one keyframe to another. So it could move at exactly the same speed between keyframes (linear) or it could start fast and slow down or start slow and speed up, or anything in-between
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I’ll give it a shot. Haven’t used proxies for something like this yet
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It’s a 1 minute video. Took about 3 hours to render yesterday.
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I asked this same question not too long ago: https://forums.creativecow.net/thread/3/953311
Sounds like Walter had the best solution for you:
[walter biscardi]
“Super simple way is to do what we do and have been doing for two years now.Make a flattened Quicktime Movie of your timeline. Either ProRes or DNxHD. Create an EDL of your timeline.
Send both to the Resolve colorist.They will be able to cut your entire timeline up in no time to do the color. Any wonkiness in your EDL will be handled by simply Scene Cut Detection. They grade and send the timeline back to you.
Super easy. Been delivering the PBS series “This American Land” that way for two years.
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author, Chef.
HD Post and Production
Biscardi Creative Media”Best ProRes format would be 4444.
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Great idea! I hadn’t considered that.
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I didn’t find the wing menu item but I found the “Show Audio Time Units” option by r-clicking on the timeline.
Thanks everybody!
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…which I could have figured out by just R-clicking on it on. d’oh!
Next question: It looks like I only have the option of choosing to display either Audio Samples or Milliseconds
but if I create a new timeline I have a lot of other options.
Any idea on how I can enable the option to choose 24 fps Timecode on the timeline that is currently limited to Audio Samples or Milliseconds?
Thanks for the help!
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Hmmmm… well, I guess that’s how they’re able to sell a 5TB external drive for $40 cheaper than an internal drive from any other company. I just bought one of the Seagate drives to back up my Pegasus R6 which is setup as a RAID 5 so even if the Seagate dies on me in a few years so I should be okay since I have redundancy built into the R6. However, I don’t know if I’ll be buying 2 more of those now to archive my old projects. Thanks for the heads up
