[Oliver Peters] ”
[Walter Soyka] “and something not so nice about Symphony”
While the color toolset in Symphony is certainly long-in-the-tooth, it’s no slouch. You just can’t do elaborate, multi-layered grades like you can in other systems. No shapes or tracking unless you do that as a separate effect, which is possible. However, it’s perfect for TV series finishing. As a built-in tool, from a standpoint of workflow, there is simply no other current NLE with comparable capabilities, unless you are talking about Quantel (editor+grading) or if you cut in Resolve.”
If editing does improve significantly in the next version of Resolve, going to move most of my workflow there. No doubt that 12 is better then 11, just needs some further refinement. I prefer nodes over layers but Resolve needs to make the nodes a bit easier to work with. Fusion is a joy to work with. Arranging, changing connects between nodes is much faster and easier with Fusion.
If cost were no object, I would move over to Linux. Of course that would mean giving up Final Cut Pro X, oh well.
The magnetic timeline, it’s magnetic-o-matic!