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Daryl K davis
February 1, 2006 at 8:28 pm in reply to: using web pages in video???

ScreenRecord

https://www.miensoftware.com/screenrecord.html

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DK Davis / Editor/ Post Super
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Daryl K davis
January 25, 2006 at 2:43 am in reply to: OT: Disney acquires Pixar for 7.4 Billion Dollars

Maybe they’ll launch iToons… you know, cartoons for the iPod.

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DK Davis / Editor/ Post Super
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Daryl K davis
January 17, 2006 at 9:29 pm in reply to: Syncing dailies in FCP

Use track markers – mark visible slate clap on video and mark audible audio clap on audio track and then line up markers and link the seperate video and audio clips.

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DK Davis / Editor/ Post Super
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Daryl K davis
January 14, 2006 at 5:05 am in reply to: Microsoft Corp. to stop developing Windows Media Player software for Macs

Sorry I messed up the link

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DK Davis / Editor/ Post Super
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Daryl K davis
January 12, 2006 at 3:01 pm in reply to: Editing profanity ridden dialogue?

Ha, that’s funny – never thought of reversing the particular words myself.

So I guess all the utterances of “kuf” and “tihs” pass muster? Unless some do-gooders play the show in reverse I suppose.

Very funny.

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DK Davis / Editor/ Post Super
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Daryl K davis
January 8, 2006 at 5:06 pm in reply to: timecode: drop vs. non-drop

Reminds me of a funny story that happened years ago. A neophyte ‘producer’ who hired me on a project insisted everything be done in Drop-Frame, only because that is what broadcasters used, so it MUST be better quality.

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DK Davis / Editor/ Post Super
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Daryl K davis
December 11, 2005 at 3:17 pm in reply to: Striping D Beta

Does that work? I’ve never done that nor realized that it was possible. Where is the time-code generated from?

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DK Davis / Editor/ Post Super
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Daryl K davis
November 25, 2005 at 6:17 am in reply to: Reprocessing 4:3 to 16:9

What is your delivery format? You can deliver 4:3 centre cut and no one will know you shot 16:9. Otherwise you may have to pillarbox your 4:3 footage if you are creating a letterbox style or future-proofing for an HD blow-up master.

I just dealt with updated delivery specs for a series that was originally 4:3 for first two seasons but this year they went 16:9. They couldn’t use anything from the old 4:3 bank of shots they had because blowing up 133% was too soft, so they had plenty of re-shooting.

Anyways, it’s not a simple solution. As you well can see, a 133% blowup looks just like that, if you are limited to FCP sodtware solutions. Maybe check into a house that has a teranex and uprez your 1 hour to an HD format and then down convert to your shooting format for input into your editing station.

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DK Davis / Editor/ Post Super
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Daryl K davis
November 16, 2005 at 2:42 pm in reply to: DSR-45 – edit to tape frame accuracy

Sorry but I’ve been led to believe that you can only use RS-422 deck control for capture but you have to switch to firewire deck control for edit to tape.

This is for the DSR-45 only as far as I know.

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DK Davis / Editor/ Post Super
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Daryl K davis
November 8, 2005 at 2:40 pm in reply to: Sheer video codec

How fast does it encode?

I usually backup 48 to 52 minute 10-bit programs as a self-contained Quicktime file to firewire drives. How long would it take to encode 90 GB of quicktime with Sheer Video codec?

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DK Davis / Editor/ Post Super
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