Danny Perez-triana
Forum Replies Created
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if i’m setting the upper layer to a different transfer mode, how would it work in conjunction with the layer it was duplicated from?
would i just switch back and forth from these two layers by turning up and down the opacity at the more crucial frames (as mentioned above)?
or is there a way to just build on the effects of the first layer?
i just want to avoid any obvious animation of a floating black blob for the closer moments.
thanks for all the advice though, certainly stuff to work with…
ignacio
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no go unfortunately. just tried deleting the preferences as well and restarting, didn’t help either.
uuuggghhhh.
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this was the website i used:
https://docs.info.apple.com/article.html?artnum=301852
hopefully this should work (?).
danny
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i just had a similar problem. check in your “about this mac” under “more info” and look at your firewire port. if you see your camera recognized there as a device , that means that your computer at least recognizes it as a piece of hardware and that it’s probably your final cut.
my problem involved, my fc telling me the device was missing, but in log and capture i could control the tape, got timecode, but no video.
turns out i had to uninstall my quicktime 7, and reinstall it and then i got video and the device was recognized.
now, i forget where i found this post (that told me this was the answer) but you don’t want to delete all your quicktime 7 files, there are certain ones you want, i believe there was just one that mattered. i apologize for basically not being able to give you the step by step, but sounds like this might do the trick.
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i’m only using one computer monitor, working out of my bedroom, trying every two frames will require alot of backtracking through some comps, but i’ll give it a try. thanks,
ignaio
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i tried rendering with “upper field…” then ” lower field” selected, both produced the same results. i’m working in ntsc, and both fc and ae are set to 29.97. strange? any other suggestions?
thanks again.ignacio
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thanks for the info, doesn’t help my pixel situation using keylight though.
ignacio.
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learning costs much! do any cuts count as a transition? indeed, there will be many jump cuts, very quickly, so i fear i would have to piece these together in ae. thanks for the info…
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is an NLE sequence and exporting it out to quicktime to AE by REFERENCE something that i would be able to do from final cut’s export using quicktime conversion? thanks for all the info by the way.
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perhaps this might help, or maybe you could pull certain elements from it:
https://www.creativecow.net/show.php?forumid=1&page=/articles/zwar_chris/tunnel/index.html